"Francesca da Rimini, Act I: Per la terra di maggio (Chorus)" by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri had its release date on August 5, 2014. This song is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. This song is part of Zandonai: Francesca da Rimini by Riccardo Zandonai, Antonio Guarnieri, Maria Caniglia, Orchestra Sinfonica Nazionale della RAI di Roma, Giacinto Prandelli, Carlo Tagliabue, Mario Carlin, Ornella Rovero, Mario Tommasini. The song's track number on the album is #7 out of 24 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Francesca da Rimini, Act I: Per la terra di maggio (Chorus)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act I: Per la terra di maggio (Chorus) by Riccardo Zandonai, Orchestra Sinfonica Nazionale della RAI di Roma, Coro di Roma della RAI, Antonio Guarnieri has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Francesca da Rimini, Act I: Per la terra di maggio (Chorus) being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem, Op. 89, B. 165: Tuba mirum | Antonín Dvořák, Czech Philharmonic Orchestra | F♯ Major | 1 | 2B | 88 BPM | ||
| Lucia di Lammermoor / Act 1: Ancor non giunse! | Gaetano Donizetti, Nadine Sierra, Veta Pilipenko, Orchestra Sinfonica Nazionale della Rai, Riccardo Frizza | F Major | 5 | 7B | 79 BPM | ||
| I cavalieri di Ekebu: Vi går tillsammans | Lars Cleveman, Malena Karlsson, Riccardo Zandonai, A. Rossato, M. Lindman | A Major | 1 | 11B | 100 BPM | ||
| Verdi: Aida, Act 3: "Nel fiero anelito di nuova guerra" (Radamès, Aida) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 2 | 8B | 162 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Francesca da Rimini, Act IV: Non ti stupisti quando taluno (Live) | Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Giampiero Malaspina, Piero de Palma, Gianandrea Gavazzeni | E♭ Major | 5 | 5B | 140 BPM | ||
| Tosca: Recondita armonia | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | F Major | 2 | 7B | 93 BPM | ||
| Giulietta e Romeo / Act 3: "Giulietta son io" | Riccardo Zandonai, Mario del Monaco, The New Symphony Orchestra Of London, Alberto Erede | A Minor | 3 | 8A | 74 BPM | ||
| I Puritani / Act 1: I rito augusto si compia senza me | Vincenzo Bellini, Gian Carlo Luccardi, Anita Caminada, Nicolai Ghiaurov, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 62 BPM | ||
| Die Fledermaus, Act II: Entr'acte und Chor. Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Friedrich Haider, WDR Rundfunkchor Köln, WDR Rundfunkorchester Köln | F Major | 4 | 7B | 117 BPM | ||
| Verdi: La forza del destino, Act 1: "Me pellegrina ed orfana" (Donna Leonora) | Giuseppe Verdi, Riccardo Muti, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano | G Major | 1 | 9B | 78 BPM | ||
| Simon Boccanegra / Prologue: Oh, de'Fieschi implacata, orrida razza (Simone, Fiesco, Paolo, Pietro, Coro) | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, José van Dam, Giovanni Foiani, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | A Minor | 3 | 8A | 102 BPM | ||
| Norma (Ed. Biondi & Minasi), Act I Scene 1: Me protegge, me difende | Vincenzo Bellini, John Osborn, Reinaldo Macias, International Chamber Vocalists, Orchestra La Scintilla, Giovanni Antonini | E♭ Major | 4 | 5B | 59 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| Puccini: Turandot, Act 1: "Popolo di Pekino!" (Il mandarino, La Folla, Guardie, Liù) | Giacomo Puccini, Renata Scotto, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | B♭ Major | 2 | 6B | 95 BPM | ||
| Puccini: Tosca, Act 2 Scene 4: "Ed or fra noi parliam da buoni amici … Sciarrone, che dice il Cavalier?" (Scarpia, Tosca, Sciarrone, Voce di Cavaradossi) | Giacomo Puccini, Tito Gobbi, Maria Callas, Ugo Trama, Carlo Bergonzi, Orchestre de la Socit des Concerts du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
| Offenbach: Les Brigands, Act 1: No. 1a, Choeur des brigands, "Le cor dans la montagne" (Domino, Barbavano, Choeur) | Jacques Offenbach, John Eliot Gardiner - Colette Alliot Lugaz - Choeurs De L'Opéra National De Lyon - Thierry Dran - François Le Roux - Orch Nat Opéra De Lyon - Tibere Raffalli - Michel Trempont, Orchestre De L'Opéra National De Lyon | A Major | 2 | 11B | 123 BPM | ||
| Donizetti: Don Pasquale, Act 3: "È finita, Don Pasquale" (Pasquale, Norina) | Gaetano Donizetti, Riccardo Muti, Mirella Freni, Sesto Bruscantini, Philharmonia Orchestra | C Major | 2 | 8B | 68 BPM | ||
| Simon Boccanegra: Prologo: Suona ogni labbro il mio nome (Simone, Fiesco) | Giuseppe Verdi, Ludovic Tezier, Michele Pertusi, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | G Major | 3 | 9B | 87 BPM | ||
| Carmen: Habt ihr gehört? / Leichter Rauch | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Rafael Frühbeck de Burgos | E Major | 1 | 12B | 125 BPM | ||
| Lucrezia Borgia: Preludio | Gaetano Donizetti, Lieuwe Visser, John Bröcheler, Marilyn Horne, Graham Clark, Piero de Palma, Richard van Allan, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 112 BPM | ||
| Manon Lescaut, Act II: "Tu, tu, amore? Tu?" | Giacomo Puccini, Jonas Kaufmann, Anna Netrebko, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Major | 2 | 3B | 62 BPM | ||
| Cavalleria Rusticana: O Lola | Jussi Björling | B♭ Major | 2 | 6B | 102 BPM | ||
| Cavalleria rusticana: Pt. I: Perche m’hai fatto...Voi lo sapete (Lucia, Santuzza) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | C Major | 2 | 8B | 71 BPM |