Midtown's 'Empty Like the Ocean' had a release date set for June 28, 2004. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 15 in Forget What You Know by Midtown. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Empty Like the Ocean is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Empty Like the Ocean by Midtown is Moderato (at a moderate speed), since this song has a tempo of 109 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Razor | Head Automatica | B Minor | 9 | 10A | 135 BPM | ||
| Duality | Bayside | C Major | 9 | 8B | 156 BPM | ||
| Every Night's Another Story | The Early November | G Major | 3 | 9B | 124 BPM | ||
| Dance Halls Turn To Ghost Towns | The Audition | B♭ Minor | 9 | 3A | 185 BPM | ||
| Rigged & Ready | Northstar | D Major | 8 | 10B | 92 BPM | ||
| I Quit My Scene | Name Taken | D Major | 9 | 10B | 109 BPM | ||
| Sudden Death In Carolina | Brand New | D♭ Major | 9 | 3B | 167 BPM | ||
| Guardrail | Bayside | D Minor | 9 | 7A | 184 BPM | ||
| My Eyes Burn | Matchbook Romance | E♭ Minor | 10 | 2A | 180 BPM | ||
| Fought and Won One | Reggie And The Full Effect | G Major | 10 | 9B | 155 BPM | ||
| Post Script | Finch | D♭ Major | 8 | 3B | 100 BPM | ||
| Fluxy | The Early November | F♯ Minor | 9 | 11A | 192 BPM | ||
| Another Boy | Midtown | C Major | 7 | 8B | 113 BPM | ||
| Let's Go Home | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| Holy Roman | The Get Up Kids | E Major | 8 | 12B | 162 BPM | ||
| Waiting for the News | Midtown | A♭ Minor | 9 | 1A | 172 BPM | ||
| Your Stories, My Alibis | Matchbook Romance | D♭ Major | 10 | 3B | 67 BPM | ||
| Don't Ever Tell Locke What He Can't Do | Moneen | A Major | 7 | 11B | 136 BPM | ||
| Masterpiece | Bayside | A♭ Major | 10 | 4B | 100 BPM | ||
| Up With Me | Boys Night Out | A Minor | 9 | 8A | 156 BPM | ||
| Cool for One Night | Hot Rod Circuit | D Major | 9 | 10B | 126 BPM | ||
| I Loved The Way She Said L.A. | Spitalfield | C Major | 9 | 8B | 179 BPM | ||
| To The Tune Of 5,000 Screaming Children | The Juliana Theory | B Minor | 9 | 10A | 167 BPM | ||
| Autography | The Starting Line | C Major | 9 | 8B | 134 BPM | ||
| Crawl | Two Tongues | E Major | 8 | 12B | 122 BPM |