Riley Austin's ' "Be Mine" was released on its scheduled release date, February 10, 2026. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Be Mine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 4 in Be Mine by Riley Austin. In terms of popularity, Be Mine is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
The tempo marking of Be Mine by Riley Austin is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Didn't Make It to the Bar | Jessie Leigh | F Major | 2 | 7B | 118 BPM | ||
| Why, Why | Emily Brooke | D Minor | 8 | 7A | 140 BPM | ||
| Riled Up | Mary Heather Hickman | C Major | 9 | 8B | 158 BPM | ||
| My Ex (But Not Really) | Claudia Tripp | C Minor | 8 | 5A | 117 BPM | ||
| If You Hear This | Taylor Ocano | F♯ Major | 7 | 2B | 140 BPM | ||
| Wrong Side Of Right | Belle Morgan | G Major | 4 | 9B | 76 BPM | ||
| Lose Yourself the Cowboy | Molly Forbes | B♭ Minor | 6 | 3A | 144 BPM | ||
| Late Bloomer | Hayley Verrall | C Major | 5 | 8B | 74 BPM | ||
| Raised to Stand | Jessa Reeves | G Major | 4 | 9B | 76 BPM | ||
| Tell It How You Want To | Bonnie Stewart | G Major | 4 | 9B | 76 BPM | ||
| Daddy He Hurt Me | Lou Neal | C Major | 6 | 8B | 148 BPM | ||
| When The Past Comes Knocking | Bflannagan | B Minor | 9 | 10A | 128 BPM | ||
| Naive | Brittany Rae | E♭ Major | 3 | 5B | 163 BPM | ||
| Chrome & Chaos | JOSS MINE | D♭ Major | 5 | 3B | 77 BPM | ||
| Southern Boys | HALIE | B♭ Minor | 7 | 3A | 106 BPM | ||
| Natural Disaster | Kaitlin Petty | G Minor | 8 | 6A | 120 BPM | ||
| Heart | VERI DIAL | E Major | 3 | 12B | 84 BPM | ||
| Last Year | Laurel Sabadosh | A♭ Major | 6 | 4B | 150 BPM | ||
| Like You're Mine | Auburn McCormick | B Minor | 8 | 10A | 150 BPM | ||
| The Truth About Drawbacks | Lawrence Marcus | G Major | 4 | 9B | 76 BPM | ||
| Beer on Broadway | Molly Lovette | D♭ Major | 7 | 3B | 160 BPM | ||
| RICH | Gracee Shriver | A♭ Major | 4 | 4B | 154 BPM | ||
| Heels In a Deerstand | YANI J | C Major | 5 | 8B | 200 BPM | ||
| Love You Next | Kezia Gill | G Major | 4 | 9B | 76 BPM | ||
| The Leavin' | Belles | F♯ Major | 5 | 2B | 81 BPM |