Furry Lewis's ' "Jelly Roll" was released on its scheduled release date, July 28, 1927. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Jelly Roll's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 15 in Everybody's Blues by Furry Lewis. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Jelly Roll is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jelly Roll by Furry Lewis is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Revenue Man Blues | Charley Patton | D Minor | 3 | 7A | 112 BPM | ||
| Nothing But the Devil | Lightnin' Slim | D Major | 7 | 10B | 100 BPM | ||
| Feelin' Good | J.B. Lenoir | A Major | 3 | 11B | 115 BPM | ||
| Weak Brain, Narrow Mind | Willie Dixon | E♭ Minor | 0 | 2A | 118 BPM | ||
| Fishing Blues | Henry Thomas | D Major | 7 | 10B | 100 BPM | ||
| Hadn't I Been Good to You | Charles Caldwell | A Minor | 6 | 8A | 113 BPM | ||
| Shake 'Em on Down | Furry Lewis | F Major | 3 | 7B | 125 BPM | ||
| Denver Blues | Tampa Red | C Major | 2 | 8B | 84 BPM | ||
| You Got to Die | Blind Willie McTell | C Major | 1 | 8B | 138 BPM | ||
| Judge Boushay Blues | Furry Lewis | C Major | 1 | 8B | 110 BPM | ||
| I Don't Know Why | Cedell Davis | B Minor | 7 | 10A | 141 BPM | ||
| Minglewood Blues | Cannon's Jug Stompers | D Major | 7 | 10B | 100 BPM | ||
| Keep Your Hands off Her | Junior Kimbrough and the Soul Blues Boys | D Major | 4 | 10B | 165 BPM | ||
| That's No Way to Get Along | Robert Wilkins | D Major | 7 | 10B | 100 BPM | ||
| Honey Bee | Jessie Mae Hemphill | D♭ Major | 1 | 3B | 82 BPM | ||
| Sugar Babe | Mance Lipscomb | D Major | 7 | 10B | 100 BPM | ||
| Graveyard Blues | Robert Pete Williams | B♭ Minor | 6 | 3A | 120 BPM | ||
| Down South Blues | Dock Boggs | D Minor | 4 | 7A | 103 BPM | ||
| Baby What You Want Me To Do | Jimmy Reed | A Major | 3 | 11B | 94 BPM | ||
| High Fever Blues | Corey Harris | C Major | 3 | 8B | 110 BPM | ||
| Rollin' And Tumblin' | Big Joe Williams | A♭ Major | 3 | 4B | 123 BPM | ||
| I'm A King Bee | Slim Harpo | B♭ Minor | 6 | 3A | 113 BPM | ||
| When the Levee Breaks | Memphis Minnie | D Major | 7 | 10B | 100 BPM | ||
| All Your Love | Magic Sam | B Major | 7 | 1B | 81 BPM | ||
| She-Wolf | Jessie Mae Hemphill | G Major | 4 | 9B | 160 BPM |