Bill Anderson's ' "Po' Folks - Re-Recorded In Stereo" was released on its scheduled release date, October 29, 1996. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Po' Folks - Re-Recorded In Stereo's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Bill Anderson's "Greatest Songs" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Po' Folks - Re-Recorded In Stereo's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Po' Folks - Re-Recorded In Stereo by Bill Anderson to be Allegro (fast, quick, and bright) because the track has a tempo of 150 BPM, a half-time of 75BPM, and a double-time of 300 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Hello, I'm A Truck | Red Simpson | F♯ Minor | 5 | 11A | 107 BPM | ||
| One's On The Way | Loretta Lynn | D♭ Major | 4 | 3B | 138 BPM | ||
| Dream Lover | Billy 'Crash' Craddock | E Major | 6 | 12B | 140 BPM | ||
| Hillbilly Girl with the Blues | Lacy J. Dalton | B Major | 5 | 1B | 131 BPM | ||
| Queen of the Silver Dollar | Dave and Sugar | D Major | 4 | 10B | 89 BPM | ||
| I'll Need Someone to Hold Me (When I Cry) | Janie Fricke | G Major | 2 | 9B | 113 BPM | ||
| Lonesome 7-7203 | Tony Booth | G Major | 5 | 9B | 136 BPM | ||
| The Yellow Rose | Johnny Lee (With Lane Brody) | F Major | 3 | 7B | 89 BPM | ||
| The Comancheros | Claude King | E♭ Major | 4 | 5B | 78 BPM | ||
| Midnight Girl / Sunset Town | Sweethearts of the Rodeo | B♭ Major | 7 | 6B | 163 BPM | ||
| I'm Just Here to Get My Baby Out of Jail | Claude King | D Major | 3 | 10B | 84 BPM | ||
| Almost Persuaded | David Houston, Barbara Mandrell | E♭ Major | 4 | 5B | 100 BPM | ||
| Come a Little Bit Closer | Johnny Duncan, Janie Fricke | B♭ Major | 7 | 6B | 129 BPM | ||
| Don't Come Home a' Drinkin' (With Lovin' On Your Mind) | Norma Jean | B♭ Major | 4 | 6B | 159 BPM | ||
| One Smokey Rose | Anita Perras | E Major | 6 | 12B | 131 BPM | ||
| You're The Reason God Made Oklahoma | David Frizzell | A Major | 4 | 11B | 96 BPM | ||
| Catfish John | Johnny Russell | G Major | 5 | 9B | 175 BPM | ||
| Keep It Between The Lines | Ricky Van Shelton | F Major | 2 | 7B | 90 BPM | ||
| Don't Let Me Cross Over | The Kendalls | F♯ Major | 4 | 2B | 121 BPM | ||
| Mama Sang A Song - Re-Recorded In Stereo | Bill Anderson | A Major | 2 | 11B | 92 BPM | ||
| Slippin' Away | Jean Shepard | F Major | 5 | 7B | 113 BPM | ||
| Five Little Fingers | Bill Anderson | A Major | 1 | 11B | 109 BPM | ||
| Another | Roy Drusky | F Major | 4 | 7B | 136 BPM | ||
| Making Believe - 1955 Single Version | Kitty Wells | D♭ Major | 2 | 3B | 122 BPM | ||
| I Don't Love You Anymore | Charlie Louvin | G Major | 4 | 9B | 127 BPM |