On July 2, 2011, the song "Kalki Stuthi 6" was released by V. Ramakrishna. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Om Namo Shiva Rudraya". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. In terms of popularity, Kalki Stuthi 6 is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Kalki Stuthi 6 by V. Ramakrishna having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Panch Pradakshina | Sai Damodar | C Major | 3 | 8B | 84 BPM | ||
| Ay Ki Az Yaar Neshaan | Ahmad Zahir | G Major | 5 | 9B | 95 BPM | ||
| Rasha Rasha Mahbooba | Nashenas | G Major | 5 | 9B | 120 BPM | ||
| Vithhala Maybapa Tuch Sakha Re Pandu Ranga By Balu Maharaj | Balu Maharaj Girgavkar | E♭ Major | 3 | 5B | 125 BPM | ||
| Gar Kuni Yak Nezara | Salma Jahani, Rahee Jahani | F♯ Minor | 6 | 11A | 96 BPM | ||
| Suprabhatham | V. Ramakrishna | E Minor | 1 | 9A | 117 BPM | ||
| Kholay Shenogay Jenai | Shahanshah Bacha | A♭ Major | 7 | 4B | 67 BPM | ||
| Shivuni Sirasu Paina | RG Sarathee, K. Shyam Kumar, Srinidhi, Traditional | E Major | 7 | 12B | 134 BPM | ||
| Bara Varsh Naukari Keli | Savita Naygavkar, Alex Kolaso | B♭ Minor | 8 | 3A | 146 BPM | ||
| Tekumanu Kottichehi | A. Anasuya Devi, V. Seetha Devi, T.R. Jayadev, G. Anand, V. Ramakrishna, B.Gopalam, K. Mallikarjuna Rao | B Minor | 5 | 10A | 142 BPM | ||
| Dar Dar Bhatakala Nathanchya Gharat Atakala | Akash Shinde | A Major | 8 | 11B | 140 BPM | ||
| Jagdambe Maa Tane Dhyauun | Bhagat Ramniwas Ji | D Major | 6 | 10B | 146 BPM | ||
| Ekda Nakki Paha By Balu Maharaj Girgavkar | Balu Maharaj Girgavkar | B Major | 9 | 1B | 103 BPM | ||
| Zo Yaw Mast Shaan Lewantoob Yum | Sardar Ali Takkar | F Minor | 6 | 4A | 144 BPM | ||
| Hey Vishwa Linga Hey Vayu Linga | V. Ramakrishna | B♭ Major | 5 | 6B | 107 BPM | ||
| Amma Nanna | Narsingi Narsing Rao | F Minor | 6 | 4A | 165 BPM | ||
| Kailasa Vaasa Mahesa | Parupalli Ranganath, V. Ramakrishna, Rajyalakshmi, Varalakshmi, Jyothi | F♯ Minor | 5 | 11A | 85 BPM | ||
| Namadeva Kirthana - Naache Paandurangaa | Sivasri Skandaprasad | A♭ Major | 10 | 4B | 187 BPM | ||
| Myaen Aehee Tse Pooshnai | Neerja Pandit | B♭ Major | 4 | 6B | 160 BPM | ||
| Pathadi Puthukulle (Nagathamman) | Jayakumar Poosari | B♭ Minor | 7 | 3A | 124 BPM | ||
| Thirusathagam Explaination | Tiruttani N Swaminathan | F♯ Major | 4 | 2B | 150 BPM | ||
| Ay ze to Sheren | Vaheed Kaacemy | وحید قاسمی | C Major | 6 | 8B | 100 BPM | ||
| Sri Muruga Jeya Muruga | Thevaara Isai Mani Ka. Venkatesan | D Minor | 5 | 7A | 114 BPM | ||
| Kanugoni | Deva, V. Ramakrishna, K.V.R.Cowndinya | A♭ Major | 5 | 4B | 131 BPM | ||
| Khejur Gache Hari Bandho Mon | Arpita Chakraborty | G Minor | 7 | 6A | 132 BPM |