Francesco da Milano, Philippe Mouratoglou's 'Ricercare 8' had a release date set for March 1, 2024. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Philippe Mouratoglou's "La Bellezza" album is number 8 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Ricercare 8 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Ricercare 8 by Francesco da Milano, Philippe Mouratoglou to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fantasie XIX | Albert de Rippe, Paul O'Dette | F Major | 0 | 7B | 130 BPM | ||
| Suite in D minor: Sarabande | Israel Golani | F♯ Minor | 1 | 11A | 115 BPM | ||
| Recercar | Francesco Spinacino, Christopher Wilson | B♭ Major | 0 | 6B | 76 BPM | ||
| Galliard to the Flat Pavan | John Johnson, Shirley Rumsey, Christopher Wilson | F Major | 1 | 7B | 92 BPM | ||
| The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM | ||
| Lute Sonata No. 11 in D Minor: II. Allemande | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 95 BPM | ||
| Lute Sonata No. 11 in D Minor: III. Courante | Silvius Leopold Weiss, Robert Barto | C Major | 1 | 8B | 98 BPM | ||
| Differencias sobre "Guarda me Las Vacas" | Luis de Narváez, Lutz Kirchhof | B♭ Major | 1 | 6B | 107 BPM | ||
| Cancion del primer tono (after a Canzon by Nicolaus Gombert) | Luis de Narváez, Lutz Kirchhof | D Minor | 0 | 7A | 91 BPM | ||
| Courante "La belle homicide" (Arr. for Lute by Charles Mouton) | Ennemond Gaultier, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| Canto VI, Devota fortuna: Recercata XVI | Francesco da Milano, Xavier Diaz-Latorre | B♭ Major | 1 | 6B | 89 BPM | ||
| Suite in D minor: Courante | Israel Golani | D♭ Minor | 0 | 12A | 129 BPM | ||
| Fantasía del Primer Tono - Libro 2 | Luis de Narváez, José Akel | G Minor | 2 | 6A | 136 BPM | ||
| Gaspar Sanz: Canarios - For Baroque Guitar and Colascione | Gaspar Sanz, Andreas Nachtsheim, Klaus Mader | D♭ Major | 1 | 3B | 173 BPM | ||
| Intabolatura de lauto, Book 4: Calata ala spagnola | Joan Ambrosio Dalza, Christopher Wilson | B♭ Major | 1 | 6B | 121 BPM | ||
| In Nomine à 5 I | John Bull, Fretwork | C Minor | 1 | 5A | 92 BPM | ||
| Suite in D minor: Allemande | Israel Golani | D♭ Minor | 0 | 12A | 129 BPM | ||
| "De tous bien playne" | Hayne van Ghizeghem, Paul O'Dette | G Minor | 0 | 6A | 97 BPM | ||
| Passacalle | Andrea Falconieri, Capella De La Torre, Katharina Bauml | D Minor | 1 | 7A | 108 BPM | ||
| Saltarello | Pietro Paolo Borrono, Paul O'Dette | E Minor | 1 | 9A | 94 BPM | ||
| Corrente detta la Grimalda | Domenico Pellegrini, Albane Imbs | D♭ Major | 1 | 3B | 103 BPM | ||
| Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 63 BPM | ||
| Epilogo: Las ye mi plains | Francesco da Milano, Xavier Diaz-Latorre | A Minor | 1 | 8A | 71 BPM | ||
| Elend, du hast umfangen mich | Traditional, Ars Choralis Coeln, Maria Jonas, Elisabeth Seitz, Johanna Seitz | D Minor | 1 | 7A | 71 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM |