Lay It On The Line's ' "October 31st" was released on its scheduled release date, February 25, 2016. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. October 31st's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The First Two EPs". In this album, this song's track order is #7. In terms of popularity, October 31st is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With October 31st by Lay It On The Line having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Endless Release | Insurgent | F Minor | 10 | 4A | 176 BPM | ||
| Positive Views | Lay It On The Line | D♭ Major | 10 | 3B | 170 BPM | ||
| When There's Nothing Left To Lose | Trial | B♭ Minor | 10 | 3A | 98 BPM | ||
| Class Warfare | Repetition | A Major | 9 | 11B | 92 BPM | ||
| 243 | Lay It On The Line | B Minor | 8 | 10A | 76 BPM | ||
| Still Holds True | Cake Eater | F♯ Major | 10 | 2B | 92 BPM | ||
| Possible | Supernova | A Major | 10 | 11B | 112 BPM | ||
| Loucked in Motion | Sheldon Bauch | A Major | 9 | 11B | 94 BPM | ||
| Now I Sing Not for What’s Gone | Breath Control | D♭ Minor | 9 | 12A | 125 BPM | ||
| The First Step | The First Step | D Major | 10 | 10B | 107 BPM | ||
| What's Good | Hopes | D♭ Major | 9 | 3B | 77 BPM | ||
| Web Of Lies | Passed Out | A Major | 7 | 11B | 132 BPM | ||
| It's Coming Back To You | Piece By Piece | B Major | 9 | 1B | 123 BPM | ||
| ...And They Stole The TV | Lay It On The Line | C Major | 9 | 8B | 108 BPM | ||
| This Is the Deal | Lay It On The Line | D♭ Minor | 8 | 12A | 95 BPM | ||
| Stand Up | Cast Aside | E Major | 10 | 12B | 143 BPM | ||
| Oreo Speedwagon | Lay It On The Line | F♯ Major | 9 | 2B | 190 BPM | ||
| Moment of Truth | Berthold City | D♭ Minor | 10 | 12A | 195 BPM | ||
| Sincere | Life Long Tragedy | G Major | 10 | 9B | 114 BPM | ||
| Auspicious Fictions | Too Late, But Still | D♭ Minor | 8 | 12A | 152 BPM | ||
| Y.O.D. | Minus Youth | B Major | 9 | 1B | 97 BPM | ||
| Vagabondage | Shower of Teeth | G Major | 10 | 9B | 176 BPM | ||
| No Love | Burning Love | F Minor | 10 | 4A | 200 BPM | ||
| Canonized | Blacklisted | G Major | 9 | 9B | 126 BPM | ||
| Dull Repetions and Basics | Peril Streep | G Minor | 9 | 6A | 89 BPM |