"What Would You Do? from Cabaret" by Lotte Lenya had its release date on April 26, 1999. The duration of This song is about 3 minutes long, at 3:24. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lotte Lenya's "Lotte Lenya: American Theater Songs" album is number 18 out of 23. In terms of popularity, What Would You Do? from Cabaret is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of What Would You Do? from Cabaret by Lotte Lenya to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sally | Gracie Fields | C Major | 0 | 8B | 68 BPM | ||
| Gay Paree | Robert Preston | F Major | 2 | 7B | 103 BPM | ||
| Madame Arthur | Yvette Guilbert | E♭ Major | 1 | 5B | 175 BPM | ||
| Salomon Song (From The Threepenny Opera - Die Dreigroschenoper) | Lotte Lenya, Wolfgang Neuss, Willy Trenk-Trebitsch, Trude Hesterberg, Erich Schellow, Johanna V Koczian, Wolfgang Grunert, Inge Wolffberg, Wilhelm Bruckner Ruggerberg Orchestra | F Major | 2 | 7B | 81 BPM | ||
| Roter Mohn | Serrano, Rosita | D Major | 3 | 10B | 125 BPM | ||
| Hashish | Original London Cast | D Minor | 1 | 7A | 87 BPM | ||
| How Wild the Wind Blows | Molly Drake | E♭ Minor | 0 | 2A | 138 BPM | ||
| Musentango | Einstürzende Neubauten | G Major | 3 | 9B | 116 BPM | ||
| Tiller Girls | Ralph Burns | F Major | 7 | 7B | 129 BPM | ||
| Jente o Jente (Anatevka) | Sylvia Anders, Eva Pilz, Ursela Monn | A Major | 4 | 11B | 101 BPM | ||
| Acknowledgements | Las Lloronas, Sura Sol, Amber in ‘t Veld, Marieke Werner | F♯ Minor | 1 | 11A | 103 BPM | ||
| Ich weiß nicht zu wem ich gehöre | Erika Pluhar | B Major | 3 | 1B | 92 BPM | ||
| Das Lied von der Moldau | Hanns Eisler, Katja Ebstein | G Minor | 0 | 6A | 76 BPM | ||
| Sing Me Not a Ballad | Lotte Lenya | G Major | 2 | 9B | 85 BPM | ||
| I'd Rather Be Blue Over You | Fanny Brice | D Major | 1 | 10B | 71 BPM | ||
| September Song (From Knickerbocker Holiday) | Lotte Lenya | C Major | 1 | 8B | 86 BPM | ||
| Saint James Infirmary | Colette Magny | G Minor | 3 | 6A | 113 BPM | ||
| Pigmy Pig | Moondog | C Major | 2 | 8B | 130 BPM | ||
| Trial by Jury: When I, Good Friends, Was Called to the Bar | Gilbert & Sullivan Society of Houston | G Major | 4 | 9B | 116 BPM | ||
| Du laß' dich nicht verhärten | Wolf Biermann | F♯ Major | 8 | 2B | 62 BPM | ||
| The Lady With The Braid | Dory Previn | A♭ Major | 3 | 4B | 136 BPM | ||
| Camelot: Camelot | Frederick Loewe, Richard Burton, Original Broadway Cast of Camelot, Franz Allers | F Major | 3 | 7B | 113 BPM | ||
| In a Persian Market | Wilbur De Paris | D Minor | 4 | 7A | 168 BPM | ||
| Bachianas Brasileiras No. 5, W389: I. Ária (Arr. for Theremin & Cello Ensemble) | Heitor Villa-Lobos, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson | G Major | 0 | 9B | 73 BPM | ||
| The Third Man Theme (The Harry Lime Theme) - Original Version | Anton Karas | F♯ Major | 5 | 2B | 90 BPM |