Gordon Parks's ' "Shaft's Big Score! End Title" was released on its scheduled release date, June 8, 1972. With This song being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Shaft's Big Score! (Original Motion Picture Soundtrack)". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United States. Based on our statistics, Shaft's Big Score! End Title's popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Shaft's Big Score! End Title by Gordon Parks having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| People Of Tomorrow Are The Children Of Today | Love Unlimited | B♭ Major | 7 | 6B | 77 BPM | ||
| Two Lane Blacktop | James Clarke | G Major | 4 | 9B | 125 BPM | ||
| The Taking of Pelham 123 (Main Title) | Czech Philharmonic Chamber Orchestra | B♭ Minor | 7 | 3A | 176 BPM | ||
| Lost My Love | Kenny Cox | F Minor | 6 | 4A | 96 BPM | ||
| Evening | Irvin Mayfield, Gordon Parks | G Major | 4 | 9B | 109 BPM | ||
| Los Jovenes Viejos | Sergio Mihanovich, Gato Barbieri | F♯ Minor | 2 | 11A | 66 BPM | ||
| Cold Sweat | Bernard "Pretty" Purdie | G Major | 8 | 9B | 124 BPM | ||
| Here's Looking at You, Kid | Henry Mancini | A Minor | 4 | 8A | 96 BPM | ||
| Assault Course | Johnny Pearson | B♭ Minor | 5 | 3A | 113 BPM | ||
| Don't Misunderstand (feat. O.C. Smith) | Gordon Parks, O.C. Smith | D♭ Minor | 2 | 12A | 77 BPM | ||
| Blacula (The Stalkwalk) | Gene Page | E Minor | 8 | 9A | 110 BPM | ||
| Watchful Eye | James Clarke | F♯ Minor | 1 | 11A | 137 BPM | ||
| Nuplex | Brian Bennett | D Minor | 3 | 7A | 92 BPM | ||
| The Brothers Go to Mothers | Henry Mancini | C Major | 3 | 8B | 138 BPM | ||
| The Race, First Laps - From The 1971 Original Soundtrack "Le Mans" | Michel Legrand | D Minor | 8 | 7A | 111 BPM | ||
| Walk On The Wild Side - Pt. 1 | Jimmy Smith | F Major | 5 | 7B | 103 BPM | ||
| Latin Shadows | Shirley Scott | B♭ Minor | 4 | 3A | 121 BPM | ||
| I Magliari (Tema Vibes) - Version 2 | Piero Piccioni | F Major | 7 | 7B | 94 BPM | ||
| Theme from Cleopatra Jones | Joe Simon | A Minor | 2 | 8A | 120 BPM | ||
| House Of Dawn (Paccari-Tampu) | Dominic Frontiere & His Orchestra | G Major | 3 | 9B | 139 BPM | ||
| Back Stabbers | MFSB | G Minor | 9 | 6A | 117 BPM | ||
| Night Groove | Chris Rae, Frank McDonald, Gerry Shury | G Minor | 7 | 6A | 194 BPM | ||
| Experience | Andy Bey | F♯ Major | 7 | 2B | 114 BPM | ||
| Jam On the Groove | Ralph MacDonald | D♭ Major | 8 | 3B | 111 BPM | ||
| Send My Lover Back | Black Heat | D Minor | 6 | 7A | 170 BPM |