On May 20, 2000, the song "Aasman Se Aaya Farishta Revival Film - An Evening In Paris" was released by Mohammed Rafi, Shankar Jaikishan. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 68 in the song's album "Revival Vol.15 - Main Kya Karoon Ram". In this album, this song's track order is #7. Furthermore, we believe that the track originated from India. Based on our statistics, Aasman Se Aaya Farishta Revival Film - An Evening In Paris's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Aasman Se Aaya Farishta Revival Film - An Evening In Paris by Mohammed Rafi, Shankar Jaikishan having a BPM of 152 with a half-time of 76 BPM and a double-time of 304 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Saanj Dhale Gagan Tale Hum Kitane Ekaki | Laxmikant–Pyarelal, Suresh Wadkar | B Major | 6 | 1B | 128 BPM | ||
| Saathiya Tune Kya Kiya | S. P. Balasubrahmanyam, K. S. Chithra | B Major | 7 | 1B | 93 BPM | ||
| Aane Se Uske Aaye Bahar | Mohammed Rafi, Laxmikant–Pyarelal | F♯ Minor | 4 | 11A | 95 BPM | ||
| Pyar Chahiye Mujhe Jine Ka Liye | Bappi Lahiri | F♯ Major | 1 | 2B | 124 BPM | ||
| Teri Bindiya Re (From "Abhimaan") | Lata Mangeshkar, Mohammed Rafi | C Major | 4 | 8B | 93 BPM | ||
| Commentary Tabussum And Aaj Rapat Jaayen To - Namak Halaal | Tabassum, Asha Bhosle, Kishore Kumar, Bappi Lahiri | D♭ Major | 5 | 3B | 106 BPM | ||
| Mujhe Tum Nazar Se Gira Toh Rahe Ho | Mehdi Hassan | C Major | 5 | 8B | 94 BPM | ||
| Kya Hua Tera Vada | Sushma Shrestha, Mohammed Rafi, R. D. Burman | F Major | 6 | 7B | 99 BPM | ||
| Yeh Hai Ishq Ishq | Manna Dey, Mohammed Rafi, S.D. Batish, Sudha Malhotra, Sahir Ludhianvi | C Major | 8 | 8B | 83 BPM | ||
| Zindagi Jab Bhi | Talat Aziz | F Minor | 2 | 4A | 78 BPM | ||
| Tumse Achchha Kaun Hai | Mohammed Rafi | A Minor | 6 | 8A | 159 BPM | ||
| Sunayanasunayana - Aa In Nazaron Ko Tum | K. J. Yesudas | E Minor | 5 | 9A | 141 BPM | ||
| Ae Bhai Zara Dekh Ke Chalo | Manna Dey | A♭ Minor | 8 | 1A | 86 BPM | ||
| Itna Toota Hun Ke Chhune Se | Ghulam Ali | A Minor | 5 | 8A | 125 BPM | ||
| Jab Tak Pure Na Ho Phere Saat | Hemlata | G Minor | 6 | 6A | 116 BPM | ||
| Likhe Jo Khat Tujhe - Remix | DJ Shilpi Sharma, Mohammed Rafi | F Major | 3 | 7B | 130 BPM | ||
| Sindbad Dharti Azad Hai | Chitragupta, Mohammed Rafi | A♭ Minor | 4 | 1A | 74 BPM | ||
| Do Deewane Shaher Mein | Runa Laila, Bhupinder Singh, Gulzar | B♭ Major | 7 | 6B | 84 BPM | ||
| Huzur Is Kadar | Bhupinder Singh, Suresh Wadkar, R. D. Burman | G Minor | 6 | 6A | 120 BPM | ||
| Tumhein Apna Banane Ki Kasam Khai Hai | Kumar Sanu | C Minor | 5 | 5A | 105 BPM | ||
| Main Hi Main Hoon | Suresh Wadkar | G Minor | 6 | 6A | 130 BPM | ||
| Ankhiyon Ke Jharokhon Se | Hemlata, Ravindra Jain | C Minor | 5 | 5A | 165 BPM | ||
| Jeevan Ke Din, Pt. 1 | Udit Narayan, Baby Preeti, Majrooh Sultanpuri | B♭ Minor | 5 | 3A | 149 BPM | ||
| Saphal Hogi Teri Aradhana | S. D. Burman | F Major | 2 | 7B | 111 BPM | ||
| Faza Bhi Hai Jawan - Pt. 1 and Ii | Salma Agha | B♭ Major | 4 | 6B | 146 BPM |