Messiah, Pt. 2: 45. Chorus "Hallelujah" by George Frideric Handel, Dunedin Consort, John Butt Song Details

George Frideric Handel, Dunedin Consort, John Butt's 'Messiah, Pt. 2: 45. Chorus "Hallelujah"' had a release date set for November 1, 2006. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Frideric Handel, Dunedin Consort, John Butt's "Handel: Messiah (Dublin Version, 1742)" album is number 16 out of 57. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Messiah, Pt. 2: 45. Chorus "Hallelujah" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Messiah, Pt. 2: 45. Chorus "Hallelujah" by George Frideric Handel, Dunedin Consort, John Butt to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -12.568 dB
Acousticness: 92%
Danceability: 38%
Energy: 32%
Instrumentalness: 1%
Liveness: 12%
Loudness: 79%
Speechiness: 3%
Valence: 26%

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