On February 24, 2021, the song "Hare Krishna Hare Krishna" was released by Kailash Kher. This song appears to be safe for all ages as it is not explicit. Because this song is the only song in Hare Krishna Hare Krishna and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Hare Krishna Hare Krishna is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Hare Krishna Hare Krishna by Kailash Kher to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nagri Ho Ayodhya Si | Prakash Gandhi | A♭ Major | 8 | 4B | 90 BPM | ||
| Mera Maalik Hai Shivaay - Slowed & Reverb | Krishna Chaturvedi, Pankaj VRK | B Major | 7 | 1B | 83 BPM | ||
| Pata Nahi Kis Roop Main Aakar | Pujya Prembhushanji Maharaj | D Minor | 6 | 7A | 125 BPM | ||
| Chhap Tilak | Kailash Kher, Paresh Kamath, Naresh Kamath | D Minor | 8 | 7A | 120 BPM | ||
| Mafi Kya Mangu Main | Mansi Bhardwaj, Armaan Malik | G Minor | 8 | 6A | 115 BPM | ||
| Shankar Shiv Bhole Umapati Mahadev | mavelle, Hitesh Shekhawat | D♭ Major | 4 | 3B | 157 BPM | ||
| Raghupati Raghav Raja Ram Original | Kavita Raam | D Major | 6 | 10B | 80 BPM | ||
| Jai Shri Mahakal | Kailash Kher | D♭ Major | 7 | 3B | 180 BPM | ||
| Kiba Jaya Jaya Gaurchandra | Swarup Damodar Prabhu | F♯ Minor | 7 | 11A | 200 BPM | ||
| Mero Radha Ramana | Bhakti Marga Music, Aaradhakananda | E♭ Minor | 7 | 2A | 131 BPM | ||
| Koi Sunta Hai Guru Gyaani - Silent Whisper - Sabr | Kabir Cafe | D♭ Major | 6 | 3B | 127 BPM | ||
| Shri Shiv Rudrashtakam (Namami Shamishan) | Priyankaa Bhattacharya | A Major | 5 | 11B | 126 BPM | ||
| Mere To Girdhar Gopal | Chitra Singh | D Major | 3 | 10B | 115 BPM | ||
| Shish Nawata Hoon | Jubin Nautiyal, Payal Dev | A♭ Major | 8 | 4B | 90 BPM | ||
| Jai Jai Mahakaal | Sonam Chaudhary | F Major | 6 | 7B | 134 BPM | ||
| Hum Katha Sunte Ram | Arun | C Major | 7 | 8B | 104 BPM | ||
| Om Namah Shivaya Shivaya Namah Om | Sri Sathya Sai Bhajans | A♭ Minor | 6 | 1A | 117 BPM | ||
| He ri mai to prem deewani | Ayodhyadas Nimavat | A♭ Minor | 7 | 1A | 175 BPM | ||
| Kamna Hriday Ki Suna Ke Dekh Le | Babla Mehta | A Major | 5 | 11B | 94 BPM | ||
| Gurubrahma Guruvishnu Gurudevo Maheswara - Shree Datta Stuti | Mandhar apte | F♯ Minor | 6 | 11A | 172 BPM | ||
| Ekali Khadi Re Meera Bai Ekali Khadi | Radha Krishna Maharaj | F Minor | 7 | 4A | 79 BPM | ||
| Bhaye Pragat Kripala Deen Dayala | Arpit Srivastava | B Major | 5 | 1B | 130 BPM | ||
| Naiharwa | Kailash Kher, Paresh Kamath, Naresh Kamath | B♭ Major | 9 | 6B | 97 BPM | ||
| Om Hanu Hanumate Namo Namah | Sadhana Shree | D♭ Major | 7 | 3B | 96 BPM | ||
| Adiyogi (The Source of Yoga) | Kailash Kher | B Minor | 5 | 10A | 100 BPM |