"Exoptare Ex Veritas" by Mark Snow had its release date on 1996. With This song being less than two minutes long, at 1:30, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "The Truth And The Light: Music From The X-Files". In this album, this song's track order is #19. Based on our statistics, Exoptare Ex Veritas's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Exoptare Ex Veritas by Mark Snow having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Precinct 9, Division 13 | Alan Howarth | G Major | 1 | 9B | 79 BPM | ||
| Razones De La Vida | Ego Nostrum | A♭ Major | 10 | 4B | 140 BPM | ||
| Main Theme - Desolation | Alan Howarth, Larry Hopkins | F Minor | 1 | 4A | 99 BPM | ||
| Thynk Unlimited | Screamthat | D♭ Major | 1 | 3B | 130 BPM | ||
| Can I Sit Next to You | Cliff Martinez | G Minor | 1 | 6A | 81 BPM | ||
| Opening | Brandon K. Verrett | C Major | 1 | 8B | 78 BPM | ||
| Koeien | Caro Konrad, Caro Knd | C Major | 0 | 8B | 80 BPM | ||
| Il Tuo Lamento | Gangli | A♭ Major | 1 | 4B | 105 BPM | ||
| I'll Be Back / Police Station & Escape | Brad Fiedel | G Major | 4 | 9B | 60 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| Law & Disorder | David Shire | E♭ Major | 2 | 5B | 72 BPM | ||
| Different Types | Joel Sandro, Joel | D Major | 2 | 10B | 84 BPM | ||
| On The Porch | John Frizzell | C Major | 0 | 8B | 78 BPM | ||
| Colaboraciones Ridiculas | Hasta El Final | A Minor | 1 | 8A | 75 BPM | ||
| Reese Dreams of Future War | Brad Fiedel | E♭ Minor | 8 | 2A | 115 BPM | ||
| Rosie Darko | Michael Andrews | E♭ Major | 1 | 5B | 65 BPM | ||
| Flowers In The Attic: Main Title | Castle Hill Orchestra and Choir | A♭ Minor | 2 | 1A | 98 BPM | ||
| The Others - Instrumental | Alejandro Amenábar | F Major | 1 | 7B | 109 BPM | ||
| On Hallowed Ground | Graeme Revell | B♭ Minor | 1 | 3A | 87 BPM | ||
| Starman Leaves / End Title | Jack Nitzsche | B♭ Major | 2 | 6B | 105 BPM | ||
| Opening Sequence (With Sweetners) | David Shire | F♯ Minor | 1 | 11A | 80 BPM | ||
| Only Time | Madina Janiyaz, Aleeya | B♭ Major | 3 | 6B | 75 BPM | ||
| Believe In Angels | Graeme Revell | E♭ Major | 1 | 5B | 67 BPM | ||
| Stronger | Mark Braids, Mark Buho | F♯ Major | 0 | 2B | 74 BPM | ||
| The Crate | John Harrison | A Major | 3 | 11B | 147 BPM |