"Here Come The Marteetee" by Steve Jablonsky had its release date on May 11, 2011. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Here Come The Marteetee's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Your Highness (Original Motion Picture Soundtrack) by Steve Jablonsky. The song's track number on the album is #11 out of 24 tracks. Based on our data, United States was the country where this track was produced or recorded. Based on our statistics, Here Come The Marteetee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Here Come The Marteetee by Steve Jablonsky has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Here Come The Marteetee being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pyramid Collapse / Main Titles | John Ottman | G Major | 5 | 9B | 123 BPM | ||
| Act Of Valor | Nathan Furst | D Minor | 2 | 7A | 90 BPM | ||
| The Machination | NINJA TRACKS | A♭ Major | 6 | 4B | 64 BPM | ||
| Scorponok | Steve Jablonsky | F♯ Minor | 6 | 11A | 80 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| 117 | Neil Davidge | B Minor | 6 | 10A | 85 BPM | ||
| See What I've Become | Zack Hemsey | A♭ Major | 9 | 4B | 120 BPM | ||
| Choose Your Destiny | X-Ray Dog | B Minor | 5 | 10A | 150 BPM | ||
| Hunted | Steve Jablonsky | D Minor | 5 | 7A | 106 BPM | ||
| The Breaking of the Fellowship (feat. "In Dreams") | Howard Shore, Edward Ross | D Major | 1 | 10B | 79 BPM | ||
| Eloi | Klaus Badelt | B Minor | 1 | 10A | 91 BPM | ||
| Photo Montage | Nick Glennie-Smith | C Minor | 3 | 5A | 55 BPM | ||
| Underwater March | Klaus Badelt | B♭ Major | 2 | 6B | 69 BPM | ||
| Landing of the French | Marc Streitenfeld | A Minor | 5 | 8A | 185 BPM | ||
| The Future - Main Titles | John Ottman, Jeffrey Schindler, American Federation of Musicians | D Major | 1 | 10B | 122 BPM | ||
| The Lords Shall Rule | Trailerhead | B♭ Minor | 6 | 3A | 88 BPM | ||
| Launch | Trevor Rabin | C Major | 4 | 8B | 69 BPM | ||
| April, 1945 | Steven Price | B♭ Major | 4 | 6B | 116 BPM | ||
| Main Title | Trevor Jones | D Minor | 3 | 7A | 93 BPM | ||
| Dragons | Neal Acree, Overwatch, Blizzard Entertainment | G Minor | 4 | 6A | 131 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Optimus | Steve Jablonsky | G Minor | 4 | 6A | 150 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| The Evening Fog | Twelve Titans Music | F♯ Minor | 3 | 11A | 147 BPM | ||
| Battlefield V Legacy Theme | Johan Söderqvist, Patrik Andrén | A♭ Major | 6 | 4B | 172 BPM |