"They Will Come" by John Williams had its release date on December 18, 2019. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. They Will Come's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Star Wars: The Rise of Skywalker (Original Motion Picture Soundtrack)". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, They Will Come is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With They Will Come by John Williams having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Torpedoes | Blake Neely | D Major | 6 | 10B | 130 BPM | ||
| The Mission Begins - Instrumental | Michael Kamen, London Metropolitan Orchestra | D Major | 2 | 10B | 86 BPM | ||
| Jedha City Ambush | Michael Giacchino | A♭ Major | 5 | 4B | 150 BPM | ||
| World's Greatest Grandma | Christophe Beck | C Minor | 3 | 5A | 170 BPM | ||
| The Giant Wakes | Michael Kamen | G Major | 2 | 9B | 173 BPM | ||
| Inquisitor Duel | Kevin Kiner | F Major | 5 | 7B | 83 BPM | ||
| Bastila Shan | Efiyep | D♭ Major | 4 | 3B | 81 BPM | ||
| The Final Lesson | John Paesano | B♭ Minor | 1 | 3A | 137 BPM | ||
| Order 66 | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Silent Grid | Alexander Monroe, Alex Monroe | C Major | 2 | 8B | 110 BPM | ||
| Uncharted Theme | Greg Edmonson | C Minor | 2 | 5A | 107 BPM | ||
| Billy Oblivion | Don Davis, Various Artists | B♭ Major | 6 | 6B | 148 BPM | ||
| The Mandalorian - Theme - Epic Version | L'Orchestra Cinematique | F Minor | 5 | 4A | 83 BPM | ||
| Thor: Ragnarok | Mark Mothersbaugh | A Minor | 7 | 8A | 151 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| Yavin | Brandon Roberts | E♭ Minor | 3 | 2A | 91 BPM | ||
| London Suite In C Major | Junkie XL | F Major | 6 | 7B | 86 BPM | ||
| To The Pirates' Cave! | Klaus Badelt | F Major | 2 | 7B | 139 BPM | ||
| Entering Enemy Territory | Pinar Toprak | D♭ Major | 3 | 3B | 139 BPM | ||
| The Dream Is Lost | Harry Gregson-Williams | D Minor | 0 | 7A | 68 BPM | ||
| Sir Francis Drake | Greg Edmonson | G Minor | 2 | 6A | 128 BPM | ||
| Death of Sirius | Nicholas Hooper | C Minor | 3 | 5A | 105 BPM | ||
| Prime | Steve Jablonsky, Lisbeth Scott | A♭ Major | 5 | 4B | 80 BPM | ||
| The Blitz, 1940 | Harry Gregson-Williams | A♭ Major | 5 | 4B | 126 BPM | ||
| Trust Goes Both Ways | Michael Giacchino | F Minor | 2 | 4A | 135 BPM |