"Pagliacci, Act I: Stridono lassù" by Ruggero Leoncavallo, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras had its release date on January 1, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Pagliacci, Act I: Stridono lassù is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pagliacci, Act I: Stridono lassù by Ruggero Leoncavallo, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesplé, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
| Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | F Major | 1 | 7B | 190 BPM | ||
| Parla più piano | Nino Rota, Jonas Kaufmann, Orchestra del Teatro Massimo di Palermo, Asher Fisch, Palermo Teatro Massimo Orchestra | C Minor | 1 | 5A | 87 BPM | ||
| I Pagliacci: Act I: Vesti la giubba | Ruggero Leoncavallo, Enrico Caruso | E Major | 1 | 12B | 86 BPM | ||
| La Gioconda, Op. 9: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
| Bizet: Carmen: L'amour est un oiseau rebelle: Habanera - Act One | Georges Bizet, Shirley Verrett, Covent Garden Chorus | D Major | 2 | 10B | 82 BPM | ||
| Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
| L'elisir d'amore / Act I: Come Paride vezzoso | Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | F Major | 2 | 7B | 73 BPM | ||
| Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Carlo Rizzi, Orchestra of Welsh National Opera | A♭ Major | 0 | 4B | 181 BPM | ||
| Fedora: Amor ti vieta | Umberto Giordano, Enrico Caruso, Vienna Radio Symphony Orchestra, Gottfried Rabl | C Major | 2 | 8B | 99 BPM | ||
| Martha / Act 3: "Ach, so fromm" | Jonas Kaufmann, Friedrich von Flotow, Prague Philharmonic Orchestra, Marco Armiliato | F Major | 2 | 7B | 91 BPM | ||
| Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
| Cavalleria rusticana: "O lola ch'ai di latti la cammisa" (Siciliana) | Pietro Mascagni, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | F Minor | 0 | 4A | 167 BPM | ||
| Danse macabre, Op. 40 | Camille Saint-Saëns, Royal Concertgebouw Orchestra, Charles Münch | D Major | 2 | 10B | 81 BPM | ||
| Strauss II, J: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele) | Johann Strauss II, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 3 | 9B | 74 BPM | ||
| Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
| Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | E Major | 0 | 12B | 89 BPM | ||
| Soave sia il vento | Wolfgang Amadeus Mozart, Amici forever, Nick Ingman | E Major | 3 | 12B | 116 BPM | ||
| Nessun dorma! from Turandot | Plácido Domingo | D Major | 4 | 10B | 80 BPM | ||
| Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
| Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | F♯ Minor | 4 | 11A | 86 BPM | ||
| La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
| Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | A Minor | 1 | 8A | 87 BPM |