"Don Quixote, Op. 35: V. Var. 2, The Battle with the Sheep. Kriegerisch" by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan had its release date on May 10, 2024. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Richard Strauss, Herbert von Karajan's "Karajan A-Z: Richard Strauss" album is number 51 out of 177. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Quixote, Op. 35: V. Var. 2, The Battle with the Sheep. Kriegerisch is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Don Quixote, Op. 35: V. Var. 2, The Battle with the Sheep. Kriegerisch by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | B♭ Major | 1 | 6B | 112 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
| Giselle, Act I: No. 8a, Finale | Adolphe Adam, Wiener Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 135 BPM | ||
| Symphony No. 35 in D Major, K. 385 "Haffner": I. Allegro con spirito | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Karl Böhm | G Minor | 3 | 6A | 126 BPM | ||
| Parsifal, Act I: Nun achte wohl und laß mich seh'n | Richard Wagner, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 120 BPM | ||
| Parsifal, Act I: Enthüllet den Gral! – Nehmet hin meinen Leib | Richard Wagner, Victor von Halem, Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin | G Major | 1 | 9B | 120 BPM | ||
| Symphony No. 2 in B Minor: IV. Finale. allegro | Alexander Borodin, Carlos Kleiber, Radio Sinfonieorchester Stuttgart des SWR | G Major | 3 | 9B | 137 BPM | ||
| Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
| Brandenburg Concerto No. 1 in F Major, BWV 1046: III. Allegro | Johann Sebastian Bach, Alan Civil, Shirley Hopkins, Karl Steins, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | D Major | 4 | 10B | 99 BPM | ||
| Ariadne auf Naxos, Op. 60 / Opera: Ein Schönes war: hiess Theseus - Ariadne | Richard Strauss, Deborah Voigt, Eva Kirchner, Natalie Dessay, Christiane Hossfeld, Andris Liepa, Stephan Genz, Ian Thompson, Sami Luttinen, Staatskapelle Dresden, Giuseppe Sinopoli | F Minor | 1 | 4A | 84 BPM | ||
| Symphony No. 8 in C Minor, WAB 108: I. Allegro moderato (2nd version, 1890) | Anton Bruckner, Berliner Philharmoniker, Zubin Mehta | B♭ Major | 1 | 6B | 153 BPM | ||
| Petrouchka: Fête populaire le soir | Ferenc Fricsay, Berliner Philharmoniker | D Major | 8 | 10B | 95 BPM | ||
| Symphony No. 4 in C Minor, D. 417 "Tragic": II. Andante | Franz Schubert, Berliner Philharmoniker, Nikolaus Harnoncourt | D♭ Major | 0 | 3B | 61 BPM | ||
| Die Walküre, Act III Scene 3: Nicht streb, o Maid, den Mut mir zu stören | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
| Miroirs, M. 43: I. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
| Aleko: Intermezzo | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | B♭ Major | 0 | 6B | 90 BPM | ||
| Symphony No. 8, Erster Teil: II. Infirma nostri corporis | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Knaben des Staats- und Domchors Berlin, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | B♭ Major | 2 | 6B | 72 BPM | ||
| Symphony No. 4 in A Major, Op. 90, MWV N 16 - "Italian": III. Con moto moderato | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
| Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Berliner Philharmoniker, Sir Simon Rattle | C Minor | 2 | 5A | 101 BPM | ||
| Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
| Petrouchka: Bohémien et marchand malhonnête | Ferenc Fricsay, Berliner Philharmoniker | C Major | 5 | 8B | 136 BPM | ||
| Symphony No. 5 in D minor, Op. 47: 1. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Semyon Bychkov | D Minor | 0 | 7A | 80 BPM | ||
| Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 72 BPM | ||
| Die Walküre, Act III Scene 2: Hier bin ich, Vater | Richard Wagner, Régine Crespin, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 3 | 3B | 98 BPM | ||
| Roman Festivals: I. Circenses | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli, Johannes Geffert | D♭ Major | 1 | 3B | 135 BPM |