"Who's They?" by Hans Zimmer had its release date on November 18, 2014. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hans Zimmer's "Interstellar (Original Motion Picture Soundtrack) [Expanded Edition]" album is number 24 out of 30. On top of that, United States appears to be the country where this track was created. In terms of popularity, Who's They? is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Who's They? by Hans Zimmer to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Are You Watching Closely? | The Prestige | E Minor | 2 | 9A | 173 BPM | ||
| Inner Peace | John Powell, Hans Zimmer | A♭ Major | 0 | 4B | 69 BPM | ||
| Tsimtsum | Mychael Danna | F♯ Minor | 1 | 11A | 63 BPM | ||
| What I Really Wanted | Clinton Shorter | G Major | 1 | 9B | 117 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| No Need to Come Back | Hans Zimmer | A Major | 0 | 11B | 73 BPM | ||
| We Have to Go | Steve Jablonsky | D Minor | 3 | 7A | 100 BPM | ||
| Life | Marc Streitenfeld | E Major | 1 | 12B | 69 BPM | ||
| The Way of the Ghost | Ilan Eshkeri | G Minor | 2 | 6A | 114 BPM | ||
| The Wormhole | Hans Zimmer | C Major | 1 | 8B | 96 BPM | ||
| Pact Sworn in Blood | Marc Streitenfeld | E Minor | 1 | 9A | 100 BPM | ||
| Lamentis-1, 2077 | Natalie Holt | D♭ Major | 6 | 3B | 133 BPM | ||
| The Power of One | Secession Studios, Greg Dombrowski | A Minor | 1 | 8A | 98 BPM | ||
| Earth | Lorne Balfe | F Major | 3 | 7B | 123 BPM | ||
| Cloud Atlas Finale | Tom Tykwer, Johnny Klimek, Reinhold Heil | C Major | 2 | 8B | 97 BPM | ||
| Pruned | Natalie Holt | D♭ Minor | 3 | 12A | 141 BPM | ||
| For Those We Never Meet - Bonus Track | Max Aruj, Alfie Godfrey | D Major | 2 | 10B | 115 BPM | ||
| The Revenant Theme (Alva Noto Remodel) | Ryuichi Sakamoto, alva noto | D Major | 1 | 10B | 86 BPM | ||
| See You In A Few | Harry Gregson-Williams | B♭ Major | 1 | 6B | 79 BPM | ||
| Look to the Stars | Hans Zimmer | C Major | 1 | 8B | 75 BPM | ||
| Intuition | Dan Levy | F Minor | 3 | 4A | 91 BPM | ||
| The Dream Is Lost | Harry Gregson-Williams | D Minor | 0 | 7A | 68 BPM | ||
| Okinawa Battlefield | Rupert Gregson-Williams | E Minor | 2 | 9A | 110 BPM | ||
| A Quiet Family | Marco Beltrami | G Major | 1 | 9B | 61 BPM | ||
| Requiem for All Time | Natalie Holt | D Minor | 2 | 7A | 89 BPM |