"Requiem, Op. 48: VII. In Paradisum" by Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra had its release date on June 1, 1987. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 16 in Fauré: Requiem, Op. 48 - Duruflé: Requiem, Op. 9 by Robert Shaw, Atlanta Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Requiem, Op. 48: VII. In Paradisum is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Requiem, Op. 48: VII. In Paradisum by Gabriel Fauré, Robert Shaw, Atlanta Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
| The Rite of Spring, K15, Pt. 1: IV. Spring Rounds | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 60 BPM | ||
| Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
| Vespers (All-Night Vigil), Op. 37: V. Now Let Thy Servant Depart | Sergei Rachmaninoff, Robert Shaw, Robert Shaw Festival Singers, Karl Dent | B♭ Minor | 0 | 3A | 81 BPM | ||
| Locus iste, WAB 23 | Anton Bruckner, The Monteverdi Choir, Jonathan Sells | C Major | 0 | 8B | 77 BPM | ||
| Vespro della Beata Vergine, SV 206: Invitatorium. Versiculum et responsorium "Deus in adjutorium" | Claudio Monteverdi, Raphael Pichon, Ensemble Pygmalion, Renaud Brès | D Major | 3 | 10B | 62 BPM | ||
| Liturgical Chants: O Holy God | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 0 | 3B | 179 BPM | ||
| Requiem, Op. 48: 4. Pie Jesu | Gabriel Fauré, Kiri Te Kanawa, Orchestre Symphonique de Montréal, Charles Dutoit | B♭ Major | 0 | 6B | 88 BPM | ||
| Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 0 | 3B | 81 BPM | ||
| Suite No. 1: Prélude | Louis Vierne, Olivier Latry | C Major | 0 | 8B | 83 BPM | ||
| Tallis: Spem in Alium - 2. in Tribulatione Dimittis | The Tallis Scholars, Peter Phillips | B Minor | 2 | 10A | 78 BPM | ||
| Sea Pictures, Op. 37: No. 1, Sea Slumber-Song | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | C Minor | 3 | 5A | 133 BPM | ||
| Miserere, Op. 44: 7. Domine Deus noster-Molto lento. Lento maestoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 163 BPM | ||
| Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
| Requiem à 5: I. Requiem aeternam | Orlande de Lassus, Choir of Girton College, Cambridge, Historic Brass of the Guildhall, London, Lucy Morrell, Gareth Wilson | F Major | 1 | 7B | 86 BPM | ||
| Piano Quartet No. 1 in C Minor, Op. 15: II. Scherzo. Allegro vivo | Gabriel Fauré, Yo-Yo Ma, Jaime Laredo, Emanuel Ax, Isaac Stern | E♭ Major | 0 | 5B | 169 BPM | ||
| Embers | Yajex | D♭ Major | 1 | 3B | 183 BPM | ||
| Nocturnes, L. 91: 3. Sirènes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Rundfunkchor Berlin, Robin Gritton | F♯ Major | 1 | 2B | 93 BPM | ||
| poor hymnal: No. 3, our hearts tell us | David Lang, The Crossing, Donald Nally | C Minor | 0 | 5A | 129 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| All-Night Vigil, Op. 37: VIII. Praise the Name of the Lord | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Joseph Warner | E Minor | 4 | 9A | 94 BPM | ||
| Song for Athene | John Tavener, Choir of St. John's College, Cambridge, Christopher Robinson | F Major | 0 | 7B | 84 BPM | ||
| Gnarly Buttons: Movement III - Put Your Loving Arms Around Me | John Adams, London Sinfonietta | F Major | 1 | 7B | 89 BPM | ||
| Liturgy of St. John Chrysostom, Op. 41: I. Lord have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | D Major | 3 | 10B | 79 BPM | ||
| Kindertotenlieder (Rückert) (1999 Digital Remaster): I: Nun will die Sonn' so hell aufgeh'n | Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli | G Minor | 0 | 6A | 88 BPM |