Anon, David Jaggs's 'Romance' had a release date set for October 9, 2015. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Romance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Solo". In this album, this song's track order is #13. In terms of popularity, Romance is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romance by Anon, David Jaggs having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Missa: Kyrie (Pater Cuncta), Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | C Major | 1 | 8B | 81 BPM | ||
| Chansons musicales à quatre parties, Paris, 1533: XVII. – Intabolatura di Liuto de Diversi... di M. Francesco da Milano…, Venice, 1536: XXI. La plus gorgiase du monde (Reconstructed by Nancy Hadden) | Francesco da Milano, Anon, Nancy Hadden, Jacob Heringman | F♯ Minor | 0 | 11A | 71 BPM | ||
| Graduel "Domine praevenis | Choeur de moines de l'Abbaye Notre-Dame de Fontgombault | D Major | 1 | 10B | 71 BPM | ||
| Livre de Job : Répons. Si bona suscépimus | Choeur grégorien de Paris | G Minor | 1 | 6A | 140 BPM | ||
| Monastic Silence for Evening Prayer | Gregorian Chanting Monks, Oxford Camerata, The Gregorian Chants | F Major | 1 | 7B | 93 BPM | ||
| Kyrie Fons Bonitatis | Capella Antiqua München | A♭ Minor | 0 | 1A | 136 BPM | ||
| Galliard | Anon, Trinity Baroque, Steven Player, The Holbein Consort, Julian Podger, The Forbury Consort, Martin Pope, Alan Crumpler | A Major | 1 | 11B | 67 BPM | ||
| Rivers of Quiet Faith | Gregorian Chanting Monks, The Chanting Monk | E Major | 1 | 12B | 80 BPM | ||
| O Holy Theotokos - Coptic - Bohairic dialect | St. Marks Coptic Orthodox Church of Washington D.C Choir, Choirs Of Annunciation Byzantine Catholic Church, Christian Hymns Chaldean Assyrian Syriac Aramaic, Isauria | A♭ Minor | 0 | 1A | 81 BPM | ||
| In I Vesperis: Lectio. Naura divina | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
| Communion "Fili quid Fecisti" | Choeur de moines de l'Abbaye Notre-Dame de Fontgombault | E Minor | 3 | 9A | 65 BPM | ||
| Misericorde au pauvre vicieux | Chant 1450 Renaissance Ensemble, Sylvain Chauveau | D♭ Major | 2 | 3B | 131 BPM | ||
| Skaramissalet: Ultimo festivitatis die | Ars Veritas | D♭ Minor | 2 | 12A | 117 BPM | ||
| Sancte Paule Apostole | Benedettini di san Paolo fuori le mura | F Major | 2 | 7B | 117 BPM | ||
| Amen | Elaria, Nova Schola Gregoriana, St. Peter St. Paul Cathedral Choir of Minsk | D Minor | 1 | 7A | 132 BPM | ||
| Gregorian Worship from Saint Anthony | Gregorian Chanting Monks, Oxford Camerata, The Gregorian Chants | F Major | 1 | 7B | 79 BPM | ||
| Laeta Dies Magni Ducis | Monks And Choirboys Of Downside Abbey | D♭ Minor | 1 | 12A | 76 BPM | ||
| Leave Me Behind - Naturalize Remix | Anon, Naturalize | G Minor | 6 | 6A | 140 BPM | ||
| Ave Maria... Et Benedictus | Benedettini Abbazia di San Paolo fuori le mura | G Major | 1 | 9B | 77 BPM | ||
| Blue Sky | Cold citru$, Anon | A♭ Major | 7 | 4B | 130 BPM | ||
| Lamento di Tristan - Istampitta and Rotta | Anon, Martin Best Mediaeval Ensemble | D Major | 2 | 10B | 122 BPM | ||
| Antiphonae: Domun Tuam. Domus Mea. Haec Est. Bene Fundata. Lapides Pretiosi | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Major | 1 | 3B | 130 BPM | ||
| Terirem du XIVème siècle | Yoan Kukuzel, Orthodox Ensemble | D Major | 1 | 10B | 81 BPM | ||
| Missa Iste confessor domini: Gloria in excelsis Deo | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | B♭ Minor | 1 | 3A | 105 BPM | ||
| Our Lady of Sorrows | Mater Dei Seminary | B Major | 1 | 1B | 172 BPM |