"The Freeway" by Brian Tyler had its release date on January 1, 2011. With This song being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 13 out of 22 in Battle: Los Angeles (Original Motion Picture Soundtrack) by Brian Tyler. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, The Freeway is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Freeway by Brian Tyler is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Uncharted, Drake's Fortune: Nate's Theme | Greg Edmonson, Andrew Skeet, London Philharmonic Orchestra | F♯ Major | 2 | 2B | 115 BPM | ||
| Chase by Chase Basis | Chris Tilton, Assassin's Creed | D Minor | 3 | 7A | 130 BPM | ||
| Thor: Ragnarok | Mark Mothersbaugh | A Minor | 7 | 8A | 151 BPM | ||
| Molossus | James Newton Howard, Hans Zimmer | A♭ Major | 5 | 4B | 103 BPM | ||
| Bayek of Siwa | Sarah Schachner, Assassin's Creed | F Major | 8 | 7B | 95 BPM | ||
| Courtyard Apocalypse | Alexandre Desplat | D♭ Major | 3 | 3B | 97 BPM | ||
| Essex Leaving Harbor | Roque Baños | A♭ Major | 6 | 4B | 118 BPM | ||
| Victory Lane | Randy Newman | B♭ Major | 5 | 6B | 62 BPM | ||
| The Last Dive | Thomas Wander, Harald Kloser | E Minor | 3 | 9A | 136 BPM | ||
| Scorponok | Steve Jablonsky | F♯ Minor | 6 | 11A | 80 BPM | ||
| Battlefield Theme - Orchestral Version | Mikael Karlsson | G Minor | 4 | 6A | 169 BPM | ||
| I Am Batman | Benjamin Wallfisch | C Minor | 6 | 5A | 102 BPM | ||
| The Legend of Excalibur | Daniel Pemberton | G Major | 3 | 9B | 89 BPM | ||
| Dogs of War: Main Title | Christopher Lennertz | E♭ Major | 2 | 5B | 77 BPM | ||
| Eggsy Is Back | Henry Jackman, Matthew Margeson | D♭ Major | 6 | 3B | 118 BPM | ||
| Flight of the Order of the Phoenix | Nicholas Hooper | D Major | 5 | 10B | 106 BPM | ||
| Shazam! Fury of the Gods (Main Title Theme) | Christophe Beck | C Minor | 3 | 5A | 115 BPM | ||
| A Promise | Alan Silvestri | E Minor | 3 | 9A | 75 BPM | ||
| Assemble | Alan Silvestri | F Major | 5 | 7B | 155 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Backfire - From “Spectre” Soundtrack | Thomas Newman | C Minor | 5 | 5A | 146 BPM | ||
| The A400 | Joe Kraemer | G Major | 2 | 9B | 127 BPM | ||
| See What I've Become | Zack Hemsey | A♭ Major | 9 | 4B | 120 BPM | ||
| We Have Returned | Brian Tyler, Transformers | E Minor | 4 | 9A | 81 BPM | ||
| The Foundation Theme (from Zack Snyder's Justice League) | Junkie XL | G Minor | 3 | 6A | 127 BPM |