Ravel's ' "Histórias Por Contar" was released on its scheduled release date, January 1, 1991. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Quimeras". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Portugal. Based on our statistics, Histórias Por Contar's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Histórias Por Contar by Ravel having a BPM of 156 with a half-time of 78 BPM and a double-time of 312 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ch8 Gninnin | Skeleton, Ravel, Mc Klibre | B Minor | 6 | 10A | 142 BPM | ||
| Piano concerto in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Canada's National Arts Centre Orchestra, Alexander Shelley | C Major | 1 | 8B | 120 BPM | ||
| Adagio pour quatuor d'orchestre | Guillaume Lekeu, Amsterdam Sinfonietta, Candida Thompson | A♭ Major | 0 | 4B | 75 BPM | ||
| La Bella Cubana | Camerata Romeu, José White, Zenaida Romeu | B Minor | 2 | 10A | 121 BPM | ||
| The Seasons, Op. 37b, TH 135: No. 6, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Balazs Szokolay | G Minor | 0 | 6A | 90 BPM | ||
| Rondo capriccioso, Op. 14 | Felix Mendelssohn, Jean-Yves Thibaudet | F Major | 1 | 7B | 144 BPM | ||
| Serenade No. 1 in D Major, Op. 9: I. Andante | Robert Fuchs, Kolner Kammerorchester, Christian Ludwig | C Minor | 1 | 5A | 111 BPM | ||
| Cuban Overture | George Gershwin, Jon Nakamatsu, Rochester Philharmonic Orchestra, Jeff Tyzik | G Major | 3 | 9B | 91 BPM | ||
| Artist's Life, Opus 316 | Gerardo Taube Horowitz | B♭ Major | 4 | 6B | 176 BPM | ||
| In A Persian Market | Albert Ketèlbey, Royal Philharmonic Orchestra, Royal Philharmonic Chorus, Eric Rogers | F Major | 2 | 7B | 69 BPM | ||
| Sonata in A Major, D 959: II. Andantino | Franz Schubert, Christian Zacharias | F♯ Minor | 0 | 11A | 75 BPM | ||
| Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
| Toques Do Infinito | Ravel | E Minor | 6 | 9A | 98 BPM | ||
| Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 0 | 12B | 91 BPM | ||
| Carmen Fantasie | Franz Waxman, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 1 | 10B | 109 BPM | ||
| Karelia Suite, Op. 11: II. Ballade. Tempo di Menuetto | Jean Sibelius, Helsinki Philharmonic Orchestra, Susanna Mälkki | A Minor | 0 | 8A | 63 BPM | ||
| Liebesträume, S. 541: No. 3 (Notturno) | Franz Liszt, Gerhard Oppitz | G Major | 0 | 9B | 64 BPM | ||
| Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | B♭ Major | 1 | 6B | 75 BPM | ||
| Schumann, Clara: Piano Concerto No. 1 in A Minor, Op. 7: I. Allegro maestoso | Clara Schumann, Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin | D♭ Major | 0 | 3B | 63 BPM | ||
| Concerto in D Minor (after Marcello): II. Adagio | Johann Sebastian Bach, Alexandra Sostmann | F♯ Minor | 0 | 11A | 75 BPM | ||
| Concerto in D Minor, BWV 974: II. Adagio - After Alessandro Marcello's Oboe Concerto in D Minor, S. Z799 | Johann Sebastian Bach, Chiara Bertoglio | A Major | 2 | 11B | 120 BPM | ||
| Nocturne No. 1 in E-Flat Major | John Field, Miceal O'Rourke | E♭ Major | 0 | 5B | 97 BPM | ||
| Suite No. 2 for 2 Pianos, Op. 17: III. Romance | Sergei Rachmaninoff, Daniil Trifonov, Sergei Babayan | D Minor | 3 | 7A | 92 BPM | ||
| Piano Concerto in A Minor, Op. 7: Allegro maestoso | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | A Minor | 1 | 8A | 103 BPM |