Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta)
Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra
R. Strauss: Ariadne auf Naxos
5:42 1955
BPM
87
Key
D♭ Major
Camelot
3B

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Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta) by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra Song Details

"Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta)" by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra had its release date on 1955. This song is about six minutes long, preciously at 5:42, making this song fairly long compared to other songs. There are a total of 27 in the song's album "R. Strauss: Ariadne auf Naxos". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Ariadne, Bacchus, Najade, Dryade, Echo, Zerbinetta) by Richard Strauss, Herbert von Karajan, Anny Felbermayer, Elisabeth Schwarzkopf, Grace Hoffman, Lisa Otto, Rita Streich, Rudolf Schock, Philharmonia Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-13.113 dB
Acousticness
96%
Danceability
17%
Energy
31%
Instrumentalness
5%
Liveness
13%
Loudness
78%
Speechiness
4%
Valence
5%

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ISRC
GBAYC9900495
Label
L-M Records/RCA Records