Roberto Mendes's 'Maria da Canção' had a release date set for January 1, 2000. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Tradução". In this album, this song's track order is #6. In terms of popularity, Maria da Canção is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Maria da Canção by Roberto Mendes having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mocó | Chico César, Zeca Baleiro | A Minor | 7 | 8A | 152 BPM | ||
| Talismã | Mateus Aleluia | D Major | 2 | 10B | 88 BPM | ||
| Quem Guiou a Cega | Mateus Aleluia | F♯ Minor | 4 | 11A | 110 BPM | ||
| Umbigada | Metá Metá | E Major | 1 | 12B | 94 BPM | ||
| Vá Cuidar de Sua Vida | Virgínia Rodrigues | F Major | 3 | 7B | 82 BPM | ||
| Vil Malandrão | Douglas Germano | E Minor | 5 | 9A | 127 BPM | ||
| Seu Zé trabalha na Ayahuasca | Magia e Alquimia Violeta | E Major | 4 | 12B | 90 BPM | ||
| Levanta | Renata Jambeiro | F♯ Minor | 5 | 11A | 104 BPM | ||
| Oxum Minha Mãe | Luana Carvalho | G Minor | 6 | 6A | 89 BPM | ||
| Faith Will Carry On2 | Roberto Mendes | B♭ Major | 1 | 6B | 128 BPM | ||
| Calmaria | Vitória Pires, Gabriel Haddad | B♭ Major | 1 | 6B | 128 BPM | ||
| The Lord Who Calls Me | Roberto Mendes | B♭ Major | 1 | 6B | 128 BPM | ||
| Nananã | Grupo Paranga | B♭ Major | 1 | 6B | 128 BPM | ||
| Fuzuê | Adriana Moreira | F Major | 3 | 7B | 95 BPM | ||
| Grace Still Draws Me Close | Roberto Mendes | B♭ Major | 1 | 6B | 128 BPM | ||
| Asas | Virgínia Rodrigues | G Minor | 1 | 6A | 120 BPM | ||
| O Coco Do Coco | Leila Pinheiro | G Major | 6 | 9B | 97 BPM | ||
| O Nome do Mistério | Geraldo Azevedo | E Major | 3 | 12B | 177 BPM | ||
| Arvoredo | Sérgio Pererê, Badi Assad | E Minor | 4 | 9A | 100 BPM | ||
| Natal na Sala de Casa | Brasyn | G Major | 4 | 9B | 95 BPM | ||
| The Cross Has Changed My Name | Roberto Mendes | B♭ Major | 1 | 6B | 128 BPM | ||
| O Sobrado de Mamãe é Debaixo D'água (Trecho da poesia Osun Hum Hum Hum) | Luana Bayô | G Major | 2 | 9B | 131 BPM | ||
| Minha Senhora, How Beautiful | Dona Edith Do Prato | G Major | 5 | 9B | 100 BPM | ||
| Mira Mansa | Guilherme Neves, Joice Terra, Peter Mesquita, Toninho Ferragutti | C Major | 4 | 8B | 95 BPM | ||
| Que Vai Além | Demarca, Roberto Didio | C Minor | 3 | 5A | 81 BPM |