"牛追い唄" by 藤原義江 had its release date on October 14, 2009. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in ノイズレスSPアーカイヴズ 鉾をおさめて/藤原義江〈日本歌曲編〉, so we believe that "牛追い唄" is a single. 牛追い唄 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 牛追い唄 by 藤原義江 is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Foster: Beautiful Dreamer | Stephen Foster, Thomas Hampson, David Alpher, Jay Ungar, Molly Mason | E♭ Major | 0 | 5B | 77 BPM | ||
| Katiuska - Noche hermosa | Pablo Sorozábal | G Major | 3 | 9B | 85 BPM | ||
| The Ecstasy of Gold / Viva La Vida - En vivo | Cuatro Cuartos | D♭ Major | 9 | 3B | 119 BPM | ||
| Wien du Stadt Meiner Träume | Richard Tauber | G Major | 3 | 9B | 102 BPM | ||
| Luisa Fernanda, Acto i: Introducción y habanera del saboyano | José Perera, Orquesta de Conciertos de Madrid, Teresa Tourné, Estrella Alsina, Pedro Lavirgen | D Minor | 2 | 7A | 88 BPM | ||
| Los gavilanes, Acto I: No hay por qué gemir | Ataúlfo Argenta, Coros Cantores De Madrid, José Perera, Orquesta de Cámara de Madrid, Teresa Berganza, Toñy Rosado, Jacinto Guerrero | F Major | 2 | 7B | 107 BPM | ||
| Liebestod | Richard Wagner, Kirsten Flagstad | D♭ Minor | 1 | 12A | 110 BPM | ||
| La Bendita Magdalena - Remastered | Antonio Campó, Coro Cantores de Madrid, Orquesta de Conciertos de Madrid, Jose Perera, Julian Perera, Victoriano Echevarría | B♭ Major | 3 | 6B | 80 BPM | ||
| Antico canto siciliano | Christopher Howell, Ambra Noè | G Major | 1 | 9B | 74 BPM | ||
| Lehár: Die lustige Witwe, Act 3: "Lippen schweigen" (Hanna, Count Danilo) | Franz Lehár, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
| Love's Old Sweet Song | Jack Payne, His BBC Dance Orchestra | D Major | 3 | 10B | 130 BPM | ||
| My Dear Old Sunny Home (故郷の廃家) | Koichi Sugii | G Minor | 2 | 6A | 117 BPM | ||
| La strada: La strada | Nino Rota, Studio Orchestra | B♭ Major | 3 | 6B | 91 BPM | ||
| The Merry Widow (Die lustige Witwe) / Act 2: Vilja-Lied | Franz Lehár, Ingeborg Hallstein, Grosses Operetten Orchester, Franz Marszalek | G Major | 3 | 9B | 77 BPM | ||
| Luisa Fernanda, Acto i: En mi tierra extremeña | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | C Minor | 3 | 5A | 89 BPM | ||
| Maometto II, Act 3 Scene 5: Giusto Ciel (Arr. for Countertenor & String Quartet by Eric Mouret) | Gioachino Rossini, Théophile Alexandre, Quatuor Zaïde | B Minor | 1 | 10A | 128 BPM | ||
| ニーナ | 藤原義江 | C Minor | 2 | 5A | 71 BPM | ||
| Kouga-no-Sazanami (黄河の漣) | Koichi Sugii | D Major | 2 | 10B | 100 BPM | ||
| Tu che mi fai piangere | Emilio Livi, Trio Lescano | A♭ Major | 4 | 4B | 109 BPM | ||
| Les Pêcheurs de perles: Demeure parmi nous, Nadir (Zurga, Nadir, Fishermen, Villagers) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | G Minor | 2 | 6A | 72 BPM | ||
| Monte Carmelo: "Dúo de Manrique y Juan María" | Federico Romero, Guillermo Fdez. Shaw, Federico Moreno Torroba, Luis Sagi Vela, Alfredo Muelas, Gran Orquest Sinfónica del Teatro Calderón de Madrid | G Major | 2 | 9B | 74 BPM | ||
| Je t'aimerai toujours, toujours | Henri Garat | A♭ Major | 2 | 4B | 82 BPM | ||
| Chinese Serenade | Victor Herbert, The Rochester Pops, Morton Gould, Arturo Chaite Orchestra, Cedric Dumont Orchestra, Danish State Radio Orchestra, Frank Devol Orchestra, Fred Hartley Orchestra, Jackie Brown Orchestra, Joe Loss & His Orchestra, The Monty Kelly Orchestra, M | C Major | 3 | 8B | 127 BPM | ||
| Gounod: Faust, Act 2: Invocation. "Avant de quitter ces lieux" (Valentin) | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| 夢で逢いましょう | 山口淑子, 灰田勝彦, 灰田晴彦とニュー・モアナ | D♭ Major | 2 | 3B | 65 BPM |