Jean-Baptiste Lully, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore's ' "Amadis Opera In 5 Acts With Prologue / Prologue: Esprits empressés à nous plaire" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel, Jacques Cordier, Michel Lambert, Robert Cambert's "Lully: Le Roi Danse - Original Motion Picture Soundtrack" album is number 35 out of 35. Amadis Opera In 5 Acts With Prologue / Prologue: Esprits empressés à nous plaire is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Amadis Opera In 5 Acts With Prologue / Prologue: Esprits empressés à nous plaire by Jean-Baptiste Lully, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel, Ex Tempore to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
| Overture No. 6 in G Minor: I. Allegro | Francesco Maria Veracini, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 94 BPM | ||
| Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
| Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | N/A | N/A | N/A | 0 BPM | ||
| Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denley, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | ||
| L'Orfeo, Atto quarto: IV. Sinfonia a 7 - E la virtute un raggio | Claudio Monteverdi, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | A Minor | 2 | 8A | 76 BPM | ||
| Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
| Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
| Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
| Niobe, regina di Tebe: "Serena, o mio bel sole...Mia fiamma...Mio adore" | Agostino Steffani, Cecilia Bartoli, Philippe Jaroussky, I Barocchisti, Diego Fasolis | E♭ Minor | 1 | 2A | 105 BPM | ||
| Vespro Della Beata Vergine - Duo Seraphim | Jordi Savall, Claudio Monteverdi | G Minor | 2 | 6A | 76 BPM | ||
| Handel: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) | John Nelson, Emmanuelle Haïm, Stephanie Blythe, David Daniels, Orchestre de chambre de Paris, Martin Isepp | E Minor | 1 | 9A | 82 BPM | ||
| Pour un reposoir: Ouverture dès que la procession parâit, H.523 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | A♭ Minor | 1 | 1A | 81 BPM | ||
| Porpora: Ifigenia in Aulide: Nel già bramoso petto | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | B Minor | 1 | 10A | 112 BPM | ||
| Tombeau De Monsieur Lully: 2. Vive / Marqué / Gay | Jean-Féry Rebel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | B Minor | 1 | 10A | 119 BPM | ||
| Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Mr. de Sainte-Colombe le Fils, Public Domain, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
| Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
| Stabat Mater, P. 77: V. Duet. Quis est homo qui non fleret | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
| Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Barbara Bonney, Les Talens Lyriques, Christophe Rousset | G Major | 1 | 9B | 75 BPM | ||
| Tafelmusik - Banquet Music In 3 Parts / Production 1 - 3. Concert In A Major, TWV 53:A2: 2. Allegro | Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel | A♭ Major | 2 | 4B | 126 BPM | ||
| Concerto Á 5 In E Minor: 1. Allegro non molto | Pierre-Gabriel Buffardin, Musica Antiqua Köln, Reinhard Goebel | E♭ Minor | 1 | 2A | 106 BPM | ||
| Handel: Dixit Dominus, HWV 232: VII. De torrente in via bibet | George Frideric Handel, Emmanuelle Haïm, Karine Deshayes, Le Concert d'Astrée, Natalie Dessay | F♯ Minor | 4 | 11A | 132 BPM | ||
| L'Orfeo, SV 318 / Prologo: Toccata | Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner | D Major | 4 | 10B | 69 BPM |