"Valse Caprice" by Ethel Barns, Hannah Roper, Martin Jacoby had its release date on October 11, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Romance and Reverie: Holst and His Contemporaries". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Valse Caprice is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Valse Caprice by Ethel Barns, Hannah Roper, Martin Jacoby having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Idylle | Ethel Barns, Alexandra Mackenzie, Ingrid Sawers | B♭ Major | 1 | 6B | 78 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Forgotten Melodies I, Op. 38: Canzona Serenata, Op. 38, No. 6 | Nikolai Medtner, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
| 2つの小品 Religioso | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| The Lark | Mikhail Glinka, Dmitri Ferschtman, Mila Baslawskaja | E Minor | 1 | 9A | 92 BPM | ||
| Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Mario Schott-Zierotin, Georg Wagner | F Major | 0 | 7B | 99 BPM | ||
| 5 Pieces for 2 Violins & Piano (Arr. for 2 Violins & Piano by Lev Atovmyan): No. 4, Waltz. Tempo di valse, moderato | Dmitri Shostakovich, Julia Fischer, Kirill Troussov, Henri Bonamy | E♭ Major | 2 | 5B | 100 BPM | ||
| Battement Fondu | G.Merkulov, Jiwon Choi | F♯ Minor | 2 | 11A | 138 BPM | ||
| ロマンス | G. ゴルターマン, ラ・クァルティーナ, 藤森亮一(チェロ), 藤村俊介(チェロ), 銅銀久弥(チェロ), 桑田歩(チェロ) | B♭ Minor | 1 | 3A | 79 BPM | ||
| 3 Morceaux, Op. 7: No. 1, Berceuse | Vladimir Rebikov, Rachel Barton Pine, Matthew Hagle | E♭ Major | 0 | 5B | 88 BPM | ||
| Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Daniel Lozakovich, Mikhail Pletnev | F♯ Minor | 1 | 11A | 104 BPM | ||
| Improvisation No. 2 | Gabriela Montero | F♯ Major | 0 | 2B | 67 BPM | ||
| Cello Sonata No. 2, Op. 81: I. Allegro moderato | Nikolai Myaskovsky, Pavel Gomziakov, Andre Korobeinikov | A Minor | 1 | 8A | 107 BPM | ||
| Pictures at an Exhibition: XIV. Cum mortuis in lingua mortua | Modest Mussorgsky, Alexander Gadjiev | B Minor | 0 | 10A | 133 BPM | ||
| Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: IV. Vivo | Antonio Vivaldi, Pierre Fournier, Stuttgart Chamber Orchestra, Karl Münchinger | E Minor | 1 | 9A | 109 BPM | ||
| Broken Promises | Orithia | D Major | 6 | 10B | 98 BPM | ||
| Cello Sonata, FP 143: I. Allegro. Tempo di marcia | Francis Poulenc, Lidy Blijdorp, Pascal Rogé | D Major | 1 | 10B | 92 BPM | ||
| 7 Little Pieces: Canción De Navidad | Celia Torrá, Anna Miernik, Daniela Salinas | D Major | 1 | 10B | 92 BPM | ||
| Tenderness | Carlo Balzaretti | D♭ Minor | 1 | 12A | 68 BPM | ||
| 14 Songs, Op. 34: No. 14, Vocalise (Arr. M. Press) | Sergei Rachmaninoff, Elissa Lee Koljonen, Robert Koenig | D♭ Major | 1 | 3B | 126 BPM | ||
| October Spring | Roberto Franca | C Major | 1 | 8B | 116 BPM | ||
| L’Escarpolette | Ethel Barns, Catherine Wilmers, Jill Morton | A Major | 0 | 11B | 88 BPM | ||
| Fünf Stücke im Volkston for Cello and Piano, Op. 102: II. Langsam | Robert Schumann, Steven Isserlis, Christoph Eschenbach | F Major | 0 | 7B | 87 BPM | ||
| Romance, Op. 1, No.1 - Duo-Art 71828 | Leonard Liebling, Desider Vecsei, Peter Phillips | D Major | 1 | 10B | 92 BPM | ||
| Nocturnes, Op. 16: IV. Nocturne No. 4 | Ignacy Jan Paderewski, Hubert Rutkowski | E Minor | 1 | 9A | 76 BPM |