"隣人 ブラジル風小品集より" by C. アズマ, 川田知子(ヴァイオリン), 福田 進一(ギター) had its release date on October 25, 2013. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 隣人 ブラジル風小品集より's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 我が懐かしのブエノスアイレス, so we believe that "隣人 ブラジル風小品集より" is a single. In terms of popularity, 隣人 ブラジル風小品集より is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 隣人 ブラジル風小品集より by C. アズマ, 川田知子(ヴァイオリン), 福田 進一(ギター) is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Paradis / Arr. Dushkin: Sicilienne in E-Flat Major | Maria Theresia von Paradis, Jacqueline du Pré, Gerald Moore | E♭ Major | 0 | 5B | 81 BPM | ||
| Suite No. 7 in B-Flat Major, HWV 440: III. Sarabande | George Frideric Handel, Seong-Jin Cho | B♭ Major | 0 | 6B | 100 BPM | ||
| 3 Romances, Op. 22: 2. Allegretto | Clara Schumann, Elena Urioste, Isata Kanneh-Mason | G Major | 0 | 9B | 116 BPM | ||
| Scarborough Fair (Arr. Parkin for Cello and Guitar) | Traditional, Sheku Kanneh-Mason, Plínio Fernandes | D Major | 0 | 10B | 117 BPM | ||
| Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Pepe Romero, Christine Pendrill, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 0 | 10A | 70 BPM | ||
| Fantasia in A Minor, BWV 944 | Johann Sebastian Bach, Andrew Lawrence-King | A♭ Major | 1 | 4B | 102 BPM | ||
| Salut d'Amour, Op. 12: Salut d'amour, Op. 12 | Edward Elgar, Nigel Kennedy, Peter Pettinger, Stephen Isserlis | D Major | 1 | 10B | 84 BPM | ||
| Ellens Gesang III, Op. 52, No. 6, D 839: Ave Maria in B-Flat Major (Arr. for Violin and Piano) | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov | C Major | 1 | 8B | 95 BPM | ||
| Reflections (Arr. for Cello & Piano by Julian Riem) | Toshifumi Hinata, Raphaela Gromes, Julian Riem | A Minor | 0 | 8A | 91 BPM | ||
| Something Wild in the City: Mary Ann's Theme (1960) for horn, celesta, and string Quartet | Morton Feldman, Ensemble Recherche | A Major | 0 | 11B | 94 BPM | ||
| Elegy No. 3, "Romanza Patetica" | Giovanni Bottesini, Andrew Burashko, Joel Quarrington | A Major | 0 | 11B | 71 BPM | ||
| Adagio in G Minor (Arr. for Guitar & Cello) | Tomaso Albinoni, Irina Kulikova, Feliks Volozhanin | A Minor | 0 | 8A | 101 BPM | ||
| Violin Sonata in B Minor, Op. 27: II. Adagio molto | Kurt Atterberg, Eszter Perényi, Ilona Prunyi | A♭ Minor | 1 | 1A | 78 BPM | ||
| Triakontameron: No. 11, Alt-Wien (Arr. J. Heifetz for Violin & Piano) | Leopold Godowsky, Nazrin Rashidova, Roderick Chadwick | E Minor | 1 | 9A | 86 BPM | ||
| レントより遅く(チェロとハープ編) | Claude Debussy, Haruma Sato, Naoko Yoshino | A Major | 1 | 11B | 73 BPM | ||
| Bandana Sketches, Op. 12 "Nobody Knows the Trouble I've Seen" | Clarence Cameron White, Mela Tenenbaum, Richard Kapp | G Major | 0 | 9B | 94 BPM | ||
| An die Musik, D. 547 (transcribed for cello and piano by Thedéen & Shirinyan) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
| Hassan, RTI/9: Serenade (Arr. Thomas Beecham) | Frederick Delius, Sir Thomas Beecham, Adelaide Symphony Orchestra, Alan Smith, Ron Spigelman | F Major | 0 | 7B | 84 BPM | ||
| Clair de Lune für Violine und Klavier: Andante trés expressif | Claude Debussy, Philipp Jonas, Maximilian Schairer | D♭ Major | 1 | 3B | 89 BPM | ||
| Nocturne No. 8 in D-Flat Major, Op. 27, No. 2 (Arr. A. Wilhelmj) | Frédéric Chopin, Elissa Lee Koljonen, Robert Koenig | G Minor | 1 | 6A | 160 BPM | ||
| 5 Pieces for String Quartet: No. 1, Alla Valse Viennese | Erwin Schulhoff, Aviv Quartet | C Major | 2 | 8B | 82 BPM | ||
| Nocturne, Op. 19 No. 4 (Version for Cello & Orchestra) | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 59 BPM | ||
| Concerto for Oud & Piano No. 23 (After the "Adagio" from Mozart's "Piano Concerto No. 23 in A Major, K. 488") | Hughes De Courson, Orchestre Symphonique De Bulgarie, Milen Natchev | D Major | 1 | 10B | 95 BPM | ||
| Nana | Manuel de Falla, Kim Kashkashian, Robert Levin | A Minor | 0 | 8A | 93 BPM | ||
| Le carnaval des animaux, R. 125: XIII. Le cygne | Camille Saint-Saëns, Wolfgang Emanuel Schmidt | C Minor | 0 | 5A | 73 BPM |