"Collegium Regale Service, Communion: III. Sanctus" by Herbert Howells, The Choir Of Trinity College, Cambridge, Eleanor Kornas, Stephen Layton had its release date on April 1, 2016. The duration of This song is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Collegium Regale Service, Communion: III. Sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Herbert Howells, Stephen Layton, The Choir Of Trinity College, Cambridge's "Howells: Collegium Regale & Other Choral Works" album is number 8 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Collegium Regale Service, Communion: III. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Collegium Regale Service, Communion: III. Sanctus by Herbert Howells, The Choir Of Trinity College, Cambridge, Eleanor Kornas, Stephen Layton to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| All my hope on God Is founded (arr. M.L. Jones ) [Arr. M.L. Jones] | Herbert Howells, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | E Minor | 2 | 9A | 103 BPM | ||
| Even When He Is Silent | Kim André Arnesen, Kantorei, Joel Rinsema | A Minor | 5 | 8A | 125 BPM | ||
| Thou Must Leave Thy Lowly Dwelling | The Shorter Chorale, Patrick Harvey, Martha Shaw | E Major | 0 | 12B | 82 BPM | ||
| St Anne’s Mass: II. Gloria | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 78 BPM | ||
| Psalm 23: The Lord Is My Shepherd (Goss) | St. Thomas Choir Of Men And Boys, Gerre Hancock | A♭ Major | 1 | 4B | 67 BPM | ||
| O King of the Nations (O Rex Gentium - 22 December) | David Ogden, St Martin's Voices, Andrew Earis | B Minor | 1 | 10A | 97 BPM | ||
| The Carol of the Angels | Choral Arts Northwest, Robert Bode | F Major | 2 | 7B | 113 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Magnificat and Nunc Dimittis "Collegium Regale": Magnificat | Herbert Howells, Choir of King's College, Cambridge, Stephen Cleobury, Britten Sinfonia, King's Voices, Donal McCann | B♭ Major | 1 | 6B | 135 BPM | ||
| 5 Lieder, Op. 49: No. 4, Wiegenlied "Guten Abend, gut Nacht" (Transcr. Gottwald for Choir) | Johannes Brahms, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 104 BPM | ||
| The Blue Bird | Charles Villiers Stanford, Cantorum Chamber Choir, Melissa Heath, Steve Durtschi | F♯ Major | 1 | 2B | 124 BPM | ||
| Three Songs of Faith: I. hope, faith, life, love.... | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
| Passion Week, Op. 58: VIII. The Wise Thief | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Major | 0 | 4B | 65 BPM | ||
| Mass for Double Choir: I. Kyrie | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 74 BPM | ||
| Elegy, Op. 15 | Herbert Howells, Helen Callus, Vesa-Matti Leppänen, David Gilling, Vyvyan Yendoll, David Chickering, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 1 | 8B | 103 BPM | ||
| Sing Praise to Our Creator | Basilica of the National Shrine of the Immaculate Conception Choir | F Major | 2 | 7B | 74 BPM | ||
| Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
| Mass in D Major, Op. 86 / Gloria: IIa. Gloria in excelsis Deo | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D♭ Minor | 0 | 12A | 108 BPM | ||
| Laudario di Cortona: Venite a laudare (Come and Praise) | Anonymous, Herbert Howells, Oni Wytars Ensemble | G Minor | 4 | 6A | 119 BPM | ||
| 3 Shakespeare Choruses, Op. 39: No. 2, Come unto these yellow sands | Amy Beach, Jessica Petrus, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie, Etherea Vocal Ensemble | B♭ Major | 1 | 6B | 77 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Vaughan Williams: 5 English Folk Songs: No. 5, Wassail Song | Ralph Vaughan Williams, London Madrigal Singers, Christopher Bishop | D Major | 2 | 10B | 137 BPM | ||
| O salutaris hostia | Herbert Howells, Birmingham Conservatoire Chamber Choir, Paul Spicer | E♭ Major | 2 | 5B | 75 BPM | ||
| Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
| Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM |