Baps Swaminarayan Sanstha's 'Jayjayvanti' had a release date set for June 28, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "Naam Smaran (Swaminarayan Dhun - 3)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Jayjayvanti's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Jayjayvanti by Baps Swaminarayan Sanstha having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Marmala Mahant Swamima | Baps Swaminarayan Sanstha | F♯ Major | 5 | 2B | 81 BPM | ||
| Veer Zule Trishla Zulave | Deepti Shah | A♭ Major | 3 | 4B | 143 BPM | ||
| Gafil Mat Rehna Beta | Vishnubua Vavnjekar | E♭ Minor | 7 | 2A | 93 BPM | ||
| Sheetali Aihein Angana | MANOJ TIWARI | F♯ Major | 4 | 2B | 114 BPM | ||
| Naman Hun Karu, Ghanshyamne | Baps Swaminarayan Sanstha | F♯ Minor | 3 | 11A | 139 BPM | ||
| Ram Na Vicharo Mare | Kiran Prajapati | B♭ Minor | 7 | 3A | 147 BPM | ||
| Jabanwa Rama Ulta Ho Gail | Karina Pandey | B♭ Minor | 7 | 3A | 79 BPM | ||
| Krishna Re | Kishan Mahipal | G Minor | 8 | 6A | 143 BPM | ||
| Sita Ne Toran Ra padharya-Ponkhna | Ramesh Hirapara, Saraswati Hirapara | E Minor | 4 | 9A | 146 BPM | ||
| Srirama Jayarama Jay Jay Ram | Savita Sreeram | A♭ Major | 8 | 4B | 184 BPM | ||
| Vandu Sahajanand | Harikrishna Patel | F Minor | 6 | 4A | 98 BPM | ||
| Sone Ke Chaukiya (Chaita) | Pawan Singh | F♯ Minor | 6 | 11A | 99 BPM | ||
| Tavi Prasad Savaiye | Bhai Amarjit Singh Patiale Wale | G Minor | 3 | 6A | 109 BPM | ||
| Mero to Aadhar Dwarkesh Ke Charnarvind | Nidhi Dholakia | B Major | 4 | 1B | 168 BPM | ||
| Radhanam Param Sukhdai | Mayuri Gandharvika | G Major | 5 | 9B | 140 BPM | ||
| Jai Adhyashakti Aarti | Bipin Sathiya | F Minor | 5 | 4A | 104 BPM | ||
| Ghat Ma Giridhari Ne Man Ma Morari | Nidhi Dholakia | A Minor | 4 | 8A | 90 BPM | ||
| Suno Suno Re Nagarbasi | Satsangee, Sandeep Mohanty | D♭ Major | 7 | 3B | 146 BPM | ||
| Kana Taru E Rup | Manoj Dave, Himali Dholakia | B♭ Minor | 6 | 3A | 89 BPM | ||
| Anand Vaaja Vage.. Mangal Aarti | Rekha Rawal, Parthiv Gohil | E♭ Major | 4 | 5B | 107 BPM | ||
| Shree Yamunashtakam - Raag Bhatiyaar | Prahar Vora | D♭ Major | 4 | 3B | 100 BPM | ||
| Abhang Narayana Baa Narayana | Shridhar Mungekar | F Minor | 6 | 4A | 92 BPM | ||
| Sukhni Sima Re | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Hare Krishna 5 - Original | Debjit, Bitu Samajpati, NA | F♯ Major | 6 | 2B | 149 BPM | ||
| Ja Re Jare Ja Tu Pakhara | Yuvraj Pradhan | D♭ Minor | 6 | 12A | 155 BPM |