"Interlude No. 1" by Calmus Ensemble had its release date on August 1, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Touched". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Based on our statistics, Interlude No. 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Interlude No. 1 by Calmus Ensemble having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| 4 Shakespeare Songs: No. 3, Double, double toil and Trouble | Jaakko Mäntyjärvi, Voces Nordicae, Lone Larsen | A♭ Major | 0 | 4B | 90 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Mass in E-Flat Major, Op. 109 "Cantus Missae": III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
| Misa a Buenos Aires "Misatango": Benedictus | MartÍn Palmeri, Annekathrin Laabs, Sächsisches Vokalensemble, Dresdner Kapellsolisten, Cuarteto Rotterdam, Matthias Jung | G Major | 1 | 9B | 78 BPM | ||
| Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" | Henry Purcell, Alison Balsom, Balsom Ensemble | A Major | 1 | 11B | 132 BPM | ||
| Im Abendrot, D. 799 (Arr. For male choir) | Franz Schubert, Meistersinger, Die, Klaus Breuninger | B♭ Major | 1 | 6B | 97 BPM | ||
| Sub Tuum Paesidium: Sub Tuum Præsidium Pour Sopranos, Altos Et Orgue | Michel Piquemal Vocal Ensemble, Eric Lebrun, Michel Piquemal, Guy Ropartz | E♭ Major | 1 | 5B | 77 BPM | ||
| Der Luftballon | Georg Kreisler, Calmus Ensemble | A♭ Major | 1 | 4B | 97 BPM | ||
| Abendsegen (I) | Christian Lahusen, Calmus Ensemble | F Minor | 1 | 4A | 82 BPM | ||
| Sieben Lieder Op. 62: 7. Vergangen Ist Mir Glück Und Heil | Chamber Choir Of Europe, Reinhard Geller, Jürgen Meier, Johannes Brahms, Nicol Matt | A Minor | 1 | 8A | 78 BPM | ||
| I Will Rejoice | Vincent Miller, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Trav’ling In This Wilderness I Often Sigh SHZ 575 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | D Minor | 1 | 7A | 141 BPM | ||
| Es ist nun aus mit meinem Leben | Johann Christoph Bach, Julia Doyle, Katherine Fuge, Clare Wilkinson, Nicholas Mulroy, James Gilchrist, Jeremy Budd, Matthew Brook, Peter Harvey, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 1 | 12A | 127 BPM | ||
| Il gron silenzi | Flavio Bundi, Schweizer Jugendchor, Nicolas Fink | E♭ Major | 0 | 5B | 136 BPM | ||
| Spiritual 432Hz Orthodox Chant | Choir Of St. Abuscus, Chants of Eternity | A Minor | 2 | 8A | 112 BPM | ||
| Psalmus quarti toni Beatus vir | Thomas Stoltzer, Amarcord | F♯ Minor | 0 | 11A | 74 BPM | ||
| Hear my prayer, O Lord, full anthem, Z.15 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
| Vespers: Lord now lettest Thou Thy servant depart | Vladislav Germanovich Agafonnikov, Russia Spiritual Revival Choir, Lev Kontorovich | G Major | 0 | 9B | 130 BPM | ||
| Belle et ressemblante | Francis Poulenc, Calmus Ensemble | F Major | 0 | 7B | 97 BPM | ||
| Taverner: Missa Corona spinea - 10. Agnus Dei 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 65 BPM | ||
| Es kompt ein Schiff geladen | Marcus Gerrariurius, Stimmwerck | D Major | 1 | 10B | 57 BPM | ||
| Hymne | Harald Banter, Calmus Ensemble | A Minor | 1 | 8A | 138 BPM | ||
| Petite messe solennelle: XIV. Credo. Et vitam venturi sæculi | Gioachino Rossini, Giulio Prandi, Coro Ghislieri, Sandrine Piau, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti, Deniel Perer | E Major | 2 | 12B | 128 BPM | ||
| Auferstehn | Heinrich Poos, Friedrich Gottlieb Klopstock, Carl Høgset, Grex Vocalis | B♭ Major | 1 | 6B | 146 BPM |