On January 1, 1991, the song "Jai Shiv Onkara" was released by Manhar Udhas. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 11 in Aarti Vol-5 by Hariharan, Manhar Udhas, Vipin Sachdeva. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Jai Shiv Onkara is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Jai Shiv Onkara by Manhar Udhas is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Khushiyan Hi Khushiyan | K. J. Yesudas, Banasree Sengupta, Hemlata | G Minor | 6 | 6A | 109 BPM | ||
| Ek Raja ( Nazm ) | Manhar Udhas | D♭ Minor | 4 | 12A | 134 BPM | ||
| Waqt Ka Ye Parinda Ruka Hai Kahan | Jaswant Singh | G Minor | 5 | 6A | 129 BPM | ||
| Kal Bhi Man | Manhar Udhas | B♭ Major | 4 | 6B | 156 BPM | ||
| Chanchal Sheetal Nirmal Komal | Mukesh, Zeenat Aman, Laxmikant–Pyarelal | A Major | 3 | 11B | 140 BPM | ||
| Tum Yaad Na Aaya Karo | Ram Shankar | G Minor | 8 | 6A | 131 BPM | ||
| Taron Men Sajke Apne Suraj Se | Mukesh, Laxmikant–Pyarelal | A♭ Major | 6 | 4B | 126 BPM | ||
| Pyar Ghazab Ki Cheez Hai | Vipin Sachdeva | G Major | 9 | 9B | 77 BPM | ||
| Rooth Kar Hum | Sajid-Wajid, Roop Kumar Rathod, Sabri Brothers | F♯ Minor | 10 | 11A | 82 BPM | ||
| Jaan O Meri Jaan | Manhar Udhas, Alka Yagnik | C Minor | 8 | 5A | 124 BPM | ||
| Mera Pyar Woh Hai | Mahendra Kapoor | F♯ Minor | 4 | 11A | 125 BPM | ||
| Yeh Pyar Tha Ya Kuchh Aur Tha | Sudha Malhotra, Anwar Hussain, Laxmikant–Pyarelal | D Major | 7 | 10B | 173 BPM | ||
| Log Barso Judaa Hoke Duet | Pankaj Udhas, Sadhana Sargam | C Major | 7 | 8B | 139 BPM | ||
| Ae Mere Dil Bata Kya Bura | Agam Kumar Nigam | G Minor | 7 | 6A | 157 BPM | ||
| O Hare Dupattewali | Vipin Sachdeva | F Major | 8 | 7B | 93 BPM | ||
| Beshak Mandir Masjid Todo | Narendra Chanchal, Laxmikant–Pyarelal | A Major | 4 | 11B | 83 BPM | ||
| Na Kajare Ki Dhar, Pt. 1 (With Jhankar Beats) | Pankaj Udhas | E♭ Major | 3 | 5B | 108 BPM | ||
| Jane Ham Sadak Ke Logon Se | Mohammed Rafi, Laxmikant–Pyarelal | B♭ Minor | 5 | 3A | 82 BPM | ||
| Parichay Chhe | Manhar Udhas | E Major | 5 | 12B | 146 BPM | ||
| Faza Bhi Hai Jawan - I | Salma Agha | A Major | 3 | 11B | 141 BPM | ||
| Teri Umeed Tera Intezar (From "Deewana") | Sadhana Sargam, Kumar Sanu | G Major | 5 | 9B | 108 BPM | ||
| Kaisa Lagta Hai (From "Baaghi") | Amit Kumar, Anuradha Paudwal | A♭ Major | 5 | 4B | 168 BPM | ||
| Pyar Karte Hai Hum | Asha Bhosle, Manhar Udhas | D Major | 4 | 10B | 101 BPM | ||
| Bhool To Maa Se (Sad) | Udit Narayan | A♭ Major | 6 | 4B | 99 BPM | ||
| Kisi Aur Ke Naam Ki Mehndi | Agam Kumar Nigam | C Minor | 6 | 5A | 82 BPM |