Charles Cadman, Peter Phillips's ' "Hollywood Suite, Op. 80: No.2. To a Comedian ("To the One Charlie" Chaplin) - Duo-Art 70098" was released on its scheduled release date, January 14, 2026. With This song being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in "072 Forgotten Piano Music": To the One, so we believe that "Hollywood Suite, Op. 80: No.2. To a Comedian ("To the One Charlie" Chaplin) - Duo-Art 70098" is a single. Hollywood Suite, Op. 80: No.2. To a Comedian ("To the One Charlie" Chaplin) - Duo-Art 70098 is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Hollywood Suite, Op. 80: No.2. To a Comedian ("To the One Charlie" Chaplin) - Duo-Art 70098 by Charles Cadman, Peter Phillips is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prelude Op. 23 No. 6 in E-Flat Major: Andante | Sergei Rachmaninoff, Park Eun Shik | A♭ Major | 1 | 4B | 151 BPM | ||
| Twelve Etudes. Op. 39. No.8. Shadow Dance - Duo-Art 5791 | Edward MacDowell, Victor Wittgenstein, Peter Phillips | E Major | 0 | 12B | 71 BPM | ||
| Levitzki: The Enchanted Nymph | Mischa Levitzki, Stephen Hough | B Major | 0 | 1B | 84 BPM | ||
| Scottish Dances (Six Ecossaisen) WoO. 83 - Duo-Art_5638 | Ludwig van Beethoven, Michael von Zadora, Peter Phillips | C Major | 1 | 8B | 97 BPM | ||
| Concierto para Piano y Orquesta No. 2, "de los Lienzos Olvidados": I. Evanescente - Live | Ramón Paus, Eduardo Fernandez, Orquesta de Extremadura, Iván López Reynoso | C Major | 1 | 8B | 119 BPM | ||
| Feux Follets - Duo-Art 5795 | Charles Gilbert Spross, Peter Phillips | D Major | 0 | 10B | 98 BPM | ||
| Kleine Suite, Op. 18: No. 3, Scherzo Humoristique - Duo-Art 5788 | Joseph Holbrooke, Peter Phillips | G Major | 2 | 9B | 129 BPM | ||
| Faschingsschwank Aus Wien. (Carnival Jest from Vienna) Op. 26. No.4 Intermezzo - Duo-Art 70499 | Robert Schumann, Irene Scharrer, Peter Phillips | D Major | 0 | 10B | 98 BPM | ||
| Une Tabatiere a Musique. Op. 32 (Musical Snuffbox) - Duo-Art 67319 | Anatoly Lyadov, Ethel Leginska, Peter Phillips | D Major | 0 | 10B | 98 BPM | ||
| Piano Sonata No. 11 in A Major, K.331: III. Alla Turca | Wolfgang Amadeus Mozart, José Iturbi, Peter Phillips | A♭ Major | 1 | 4B | 69 BPM | ||
| Crosby Street | Dontea | A♭ Major | 2 | 4B | 130 BPM | ||
| Three Sketches. Serenade No.2 - Duo-Art 5772 | Gerhard Frommel, Alexander Raab, Peter Phillips | D Major | 0 | 10B | 98 BPM | ||
| Sonata Santera: III. Bembe | Iván Enrique Rodríguez, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| 6 Romances, Op. 28 TH 99: No. 3, Why? (Arr. for Piano by Peter Breiner) | Pyotr Ilyich Tchaikovsky, Peter Breiner | D Major | 0 | 10B | 104 BPM | ||
| Brahms: 7 Fantasien, Op. 116: No. 5, Intermezzo. Andante con grazia ed intimissimo sentimento in E Minor | Johannes Brahms, Kenji Miura | D Major | 0 | 10B | 98 BPM | ||
| Baigneuses Au Soleil - Duo-Art 6581 | Déodat de Séverac, Peter Phillips, E. Robert Schmitz | F♯ Major | 0 | 2B | 69 BPM | ||
| Scenes De Bal. Op. 17. No.2. Valse Lente - Welte-Mignon 1100 | Eduard Schuett, Carl Friedberg, Peter Phillips | D♭ Major | 0 | 3B | 71 BPM | ||
| Au Matin, Op. 83 - Duo-Art 56847 | Benjamin Godard, Peter Phillips, Clarence Adler | B♭ Minor | 1 | 3A | 69 BPM | ||
| Air à danser, Op. 164 | Cécile Chaminade, Eric Parkin | D♭ Major | 1 | 3B | 67 BPM | ||
| Capriccio, Op. 76, No. 1 in F-Sharp Minor - Triphonola T-51531 | Johannes Brahms, Marie Gabrielle Leschetizky, Peter Phillips | G Major | 1 | 9B | 140 BPM | ||
| Ma Mère, L'oye (Piano 4 Hands): 4. Les Entretiens De La Belle Et La Bête - Duo-Art 7189 | Maurice Ravel, Walter Damrosch, Polly Damrosch, Peter Phillips | D Major | 0 | 10B | 98 BPM | ||
| 7 Canciones populares españolas: No. 4, Jota (Arr. Halffter) | Manuel de Falla, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
| Nocturne No. 11, Op. 104 No. 1 | Gabriel Fauré, Louis Lortie | E Minor | 0 | 9A | 62 BPM | ||
| Valse Lente Coppelia (Ballet) - Welte-Mignon 1089 | Léo Delibes, Arthur Nikisch, Peter Phillips | E♭ Major | 1 | 5B | 68 BPM | ||
| ソナチネII | ウィリアム L ギロック, Yuko Mifune | F Major | 0 | 7B | 64 BPM |