"Plastic Heart (from "John Wick: Chapter 2")" by London Music Works, Merethe Soltvedt had its release date on April 26, 2024. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Plastic Heart (from "John Wick: Chapter 2")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Story of Wick: Music From the John Wick Movies". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Plastic Heart (from "John Wick: Chapter 2") is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Plastic Heart (from "John Wick: Chapter 2") by London Music Works, Merethe Soltvedt having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bootstrap's Bootstraps | Klaus Badelt | D Minor | 6 | 7A | 68 BPM | ||
| Becoming a Legend | Johann Hong, John Dreamer | G Major | 9 | 9B | 110 BPM | ||
| Ben | Trevor Rabin | C Major | 1 | 8B | 119 BPM | ||
| Mission: Impossible The Final Reckoning | Jamie Evans Music | G Major | 5 | 9B | 90 BPM | ||
| Come Back to Us | Thomas Newman | G Minor | 0 | 6A | 79 BPM | ||
| A Friend | Ludwig Göransson | D♭ Minor | 2 | 12A | 105 BPM | ||
| The Maze Runner | John Paesano, Pete Anthony, American Federation of Musicians | D Minor | 5 | 7A | 145 BPM | ||
| Pumped | Dream Cave | D♭ Major | 6 | 3B | 0 BPM | ||
| Arrival to Earth | Steve Jablonsky | C Minor | 4 | 5A | 79 BPM | ||
| Life Blood | Pinar Toprak, Tyler Durham | C Minor | 1 | 5A | 70 BPM | ||
| Garador's Flight | Jo Blankenburg, London Music Works | A♭ Major | 6 | 4B | 171 BPM | ||
| Merry Men | Marc Streitenfeld | E Minor | 5 | 9A | 178 BPM | ||
| Page 47 | Trevor Rabin | D Minor | 3 | 7A | 120 BPM | ||
| Amsterdam | Seyran Nasirov, Kansolong | B♭ Major | 3 | 6B | 100 BPM | ||
| Hello Zep - From "Saw" | London Music Works | C Major | 0 | 8B | 121 BPM | ||
| Romantic Flight - From "How to Train Your Dragon" | London Music Works | F♯ Major | 3 | 2B | 102 BPM | ||
| Captain America | Henry Jackman | F Minor | 3 | 4A | 153 BPM | ||
| Ice of Phoenix | Audiomachine | A♭ Minor | 6 | 1A | 110 BPM | ||
| Into the Fog | Iva Davies, Richard Tognetti, Christopher Gordon | A♭ Major | 5 | 4B | 180 BPM | ||
| Blackheart | Thomas Bergersen, Two Steps from Hell | D♭ Major | 5 | 3B | 97 BPM | ||
| The Starship Avalon (Main Title) | Thomas Newman | C Minor | 0 | 5A | 129 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| Injection - From "Mission: Impossible Ii" | London Music Works | D Minor | 4 | 7A | 118 BPM | ||
| The Dark Knight Triumphant / End Titles | Christopher Drake | A Major | 3 | 11B | 101 BPM | ||
| The Medallion Calls | Klaus Badelt | D Minor | 4 | 7A | 96 BPM |