Stanley Black, London Symphony Orchestra's ' "Theme (from "The Magnificent Seven")" was released on its scheduled release date, November 2, 2018. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Stanley Black, London Symphony Orchestra's "Movie Music: 20 Big Themes - Space – Action - Romance" album is number 13 out of 20. On top of that, United States appears to be the country where this track was created. Based on our statistics, Theme (from "The Magnificent Seven")'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Theme (from "The Magnificent Seven") by Stanley Black, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Scheherezade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | G Major | 1 | 9B | 92 BPM | ||
| Czárdás | Vittorio Monti, Angèle Dubeau, La Pietà | D Major | 1 | 10B | 81 BPM | ||
| Ole Guapa | Stanley Black | A Major | 6 | 11B | 135 BPM | ||
| Ebb Tide | Stanley Black | E Minor | 2 | 9A | 83 BPM | ||
| Bali Ha'i - From "South Pacific" | The London Festival Chorus, London Festival Orchestra, Stanley Black | A♭ Major | 3 | 4B | 104 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
| La bayadère: Allegretto | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 98 BPM | ||
| Susan, the Doggie and Me | Percy Whitlock, RTE Concert Orchestra, Gavin Sutherland | E Major | 0 | 12B | 53 BPM | ||
| The Green Leaves Of Summer | The London Festival Chorus, London Festival Orchestra, Stanley Black | C Minor | 2 | 5A | 131 BPM | ||
| La Boda De Luis Alonso - Intermedio | English Chamber Orchestra | E Major | 3 | 12B | 111 BPM | ||
| Masquerade Suite: Romance | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | B♭ Minor | 1 | 3A | 176 BPM | ||
| The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra | A Major | 2 | 11B | 70 BPM | ||
| Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
| The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | G Major | 1 | 9B | 80 BPM | ||
| Irene's Song (from "Forsyte Saga") | Geoffrey Burgon, Dave Loew | E Minor | 2 | 9A | 160 BPM | ||
| La Bayadere, Act II: 35. "Entrance and Variation - Nikiya" | Evergreen Symphony Orchestra, Kevin Galiè | B Minor | 0 | 10A | 129 BPM | ||
| Bronze Horseman Suite: VI. Waltz. Tempo di valse | Reinhold Glière, Sir Edward Downes, BBC Philharmonic | D Major | 0 | 10B | 109 BPM | ||
| Waltz Suite, Op. 110: VI. Happiness (From Cinderella, Op. 87) | Sergei Prokofiev, Orquestra Sinfônica do Estado de São Paulo, Marin Alsop | D Major | 1 | 10B | 141 BPM | ||
| Hello Dolly! - From "Hello Dolly" | The London Festival Chorus, London Festival Orchestra, Stanley Black | A Minor | 5 | 8A | 116 BPM | ||
| Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto | Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim | G Minor | 2 | 6A | 65 BPM | ||
| Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
| Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM | ||
| The Longest Day - From "The Longest Day" | Paul Anka, London Festival Orchestra, Stanley Black | G Major | 4 | 9B | 108 BPM |