Harry Partch's ' "Plectra & Percussion Dances, Pt. 1a "Castor": II. Conception" was released on its scheduled release date, August 12, 2014. With This song being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Harry Partch's "Harry Partch: Plectra & Percussion Dances" album is number 2 out of 21. On top of that, United States appears to be the country where this track was created. Plectra & Percussion Dances, Pt. 1a "Castor": II. Conception is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Plectra & Percussion Dances, Pt. 1a "Castor": II. Conception by Harry Partch to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lauda 3 | Gavin Bryars, Roger Heaton | G Minor | 0 | 6A | 76 BPM | ||
| Cuenta cuatro 44 | jose alvarado | D♭ Minor | 3 | 12A | 75 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| After the Rain: III. Antiphon | Barry Guy, Richard Hickox, City of London Sinfonia | D Major | 3 | 10B | 83 BPM | ||
| Bachianas Brasileiras No. 5, W389: I. Ária (Arr. for Theremin & Cello Ensemble) | Heitor Villa-Lobos, Clara Rockmore, Dorothy Lawson, Robert Burkhardt, Mairi Dorman-Phaneuf, Sara Hewitt-Roth, Ludmila Konstantinova, Jessie Reagen, Peter Sachon, Caroline Stinson | G Major | 0 | 9B | 73 BPM | ||
| King Oedipus, Opening Scene | Harry Partch, Bruce Cook, Rudolphhine Radil, William Derrell, Elvena Green, Robert Hood, Allan Louw, Ian Zellick, Gregory Millar, Margaret Calhoun, Marjorie Sweazey, George Probert, Ellen Ohdner, Dante Zaro, Ute Miessner, Barbara Browning, Jane Van Rysselberghe, Darlene Mahnke, Patricia Carey, Angela Thorpe, Nancy Wiebenson, Sheila Bates, Elizabeth Brunswick, Jackie Fox | F♯ Major | 1 | 2B | 76 BPM | ||
| Spiders | gaop, Haggari Nakashe | F♯ Minor | 6 | 11A | 100 BPM | ||
| Even Wild Horses. Dance Music for an Absent Drama, Act III, Scene I: "Had I Not Once A Lovely Youth" (Conga) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | E♭ Minor | 2 | 2A | 94 BPM | ||
| Bella By Barlight | John Lurie | A♭ Major | 0 | 4B | 77 BPM | ||
| Second Etude | Michael Rosas Cobian, Gabriela Ortiz | A Major | 2 | 11B | 67 BPM | ||
| Theme - Instrumental | Louis Hardin, Moondog | G Major | 6 | 9B | 102 BPM | ||
| Falling Machine | Miles Spread | B♭ Major | 3 | 6B | 89 BPM | ||
| Unterwegs (for Roman) | Fred Frith | A Major | 2 | 11B | 82 BPM | ||
| A forest | Martien van der Knijff | B♭ Major | 2 | 6B | 91 BPM | ||
| Fantasy nr 3 Luys Milan | Martien van der Knijff | F♯ Major | 1 | 2B | 201 BPM | ||
| Dawn | Meredith Monk | A Minor | 1 | 8A | 77 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| A Una Rosa | Traditional, Ernst Reijseger, Mola Sylla, Tenore e Cuncordu de Orosei | G Major | 4 | 9B | 79 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| In a Landscape (1948) | John Cage, Stephen Drury | D Minor | 0 | 7A | 72 BPM | ||
| The Giant | Bill Nace | D♭ Major | 2 | 3B | 139 BPM | ||
| Fear in a Handful of Dust | Madadkin | D Minor | 3 | 7A | 117 BPM | ||
| Protein Synthesis | Kessel | A Minor | 1 | 8A | 172 BPM | ||
| SIN DOLOR | JhosmelCruz | B Major | 8 | 1B | 79 BPM | ||
| Ionisation | Edgard Varèse, Pierre Boulez, New York Philharmonic | D♭ Major | 4 | 3B | 129 BPM |