On March 23, 2004, the song "Secret Weapon" was released by Will Dailey. The duration of This song is about 3 minutes long, at 3:13. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Will Dailey's "Goodbye Red Bullet" album is number 9 out of 11. In terms of popularity, Secret Weapon is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Secret Weapon by Will Dailey to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Santa Fe | Samantha Crain | B♭ Major | 4 | 6B | 71 BPM | ||
| Steal my Song | Son of the Land | G Major | 6 | 9B | 155 BPM | ||
| Devil and the Sea | Streets of Laredo | C Minor | 6 | 5A | 155 BPM | ||
| Packed Powder | Blind Pilot | A Major | 7 | 11B | 93 BPM | ||
| For No One | Houndmouth | E♭ Major | 2 | 5B | 130 BPM | ||
| Midnight on the Interstate | Dave Simonett | A Major | 3 | 11B | 78 BPM | ||
| Then Came the Morning | The Lone Bellow | B♭ Major | 6 | 6B | 125 BPM | ||
| Old House | Joe Kelly & The Royal Pharmacy | D♭ Major | 5 | 3B | 96 BPM | ||
| Willow | Israel Nash | D Major | 6 | 10B | 132 BPM | ||
| Little Movies | Aaron Lee Tasjan | C Major | 7 | 8B | 118 BPM | ||
| Like Lions | Blind Pilot | F♯ Major | 5 | 2B | 143 BPM | ||
| Come On, Illinois | Houndmouth | A♭ Major | 5 | 4B | 81 BPM | ||
| Realize | Alex Couch | G Major | 6 | 9B | 155 BPM | ||
| Boom Boom | Will Dailey | F♯ Major | 4 | 2B | 117 BPM | ||
| Zigzagging Toward the Light | Conor Oberst | E Minor | 7 | 9A | 90 BPM | ||
| The Moorings | Andrew Duhon | E♭ Major | 5 | 5B | 88 BPM | ||
| Ultimate Companion | Will Dailey, Tanya Donelly | A Minor | 4 | 8A | 114 BPM | ||
| When No One's Watching | Civil Brother | G Major | 6 | 9B | 155 BPM | ||
| Don't Be a Stranger | Blitzen Trapper | F Major | 6 | 7B | 161 BPM | ||
| Mavis | Nathaniel Rateliff | B Major | 5 | 1B | 157 BPM | ||
| Golden Age | Jamestown Revival | F Major | 6 | 7B | 144 BPM | ||
| Shining in the Distance | The Stray Birds | A Major | 6 | 11B | 101 BPM | ||
| How I Love You | Robert Ellis | E Major | 7 | 12B | 129 BPM | ||
| Restless and Forgiven | Derby Hill | G Major | 6 | 9B | 155 BPM | ||
| Let the Meter Run | Charlie Mars | G Major | 5 | 9B | 86 BPM |