Piano Concerto in F-Sharp Minor, Op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo I by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez Song Details

"Piano Concerto in F-Sharp Minor, Op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo I" by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez had its release date on January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 5 in the song's album "Scriabin: Le Poème de l'extase; Piano Concerto; Prométhée". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Piano Concerto in F-Sharp Minor, Op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Piano Concerto in F-Sharp Minor, Op. 20: II. Andante – Allegro scherzando – Adagio – Allegretto – Tempo I by Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Music Key

B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 19%
Loudness: -32.923 dB
Acousticness: 97%
Danceability: 14%
Energy: 2%
Instrumentalness: 92%
Liveness: 7%
Loudness: 45%
Speechiness: 5%
Valence: 5%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony in E Minor, Op. 32, "Gaelic Symphony": I. Allegro con fuoco	Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn	E Minor	1	9A	111 BPM
Petite Suite: Nocturne	Alexander Borodin, Alexander Krichel	E Minor	1	9A	66 BPM
Stille Musik: III. Augenblicke der Serenade	Valentin Silvestrov	C Major	0	8B	86 BPM
Piano Concerto No. 1 in B-Flat Minor, Op. 23, TH. 55: II. Andantino semplice - Prestissimo - Tempo I - Live at Philharmonie, Berlin	Pyotr Ilyich Tchaikovsky, Evgeny Kissin, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	80 BPM
Webern - Langsamer Satz, M.78	Anton Webern, Borodin Quartet	E♭ Major	2	5B	92 BPM
A Morning in the Woods	Leo Ornstein, Janice Weber	B♭ Minor	0	3A	63 BPM
Sonata for Violin and Piano in A: 4. Allegretto poco mosso	César Franck, Kaja Danczowska, Krystian Zimerman	E Major	0	12B	87 BPM
Nocturne in D-Flat Major, Op. 8	Sergei Lyapunov, Elena Gaponenko	D♭ Major	1	3B	59 BPM
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo Philharmonic Orchestra, Oslo-Filharmonien	G Major	1	9B	174 BPM
Piano Concerto in F-Sharp Minor, Op. 20: II. Andante	Alexander Scriabin, Konstantin Scherbakov, Moscow Philharmonic Orchestra, Igor Golovschin	E♭ Major	0	5B	81 BPM
10 Pieces for Piano, Op. 58: Der Hirt, No. 4	Jean Sibelius, Leif Ove Andsnes	D♭ Major	1	3B	121 BPM
Symphonie fantastique, H. 48: IV. Marche au supplice	Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado	G Minor	2	6A	166 BPM
Piano Concerto, FP 146: 3. Rondo à la Française	Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit	D♭ Major	1	3B	96 BPM
Piano Concerto No. 1 in G Minor, Op. 25: II. Andante	Felix Mendelssohn, Lang Lang, Chicago Symphony Orchestra, Daniel Barenboim	E Major	0	12B	80 BPM
Années de pèlerinage II, S. 161: I. Sposalizio	Franz Liszt, Lazar Berman	B Major	1	1B	92 BPM
The Lark	Mikhail Glinka, Evgeny Kissin	B♭ Minor	0	3A	96 BPM
Dvorák: Cello Concerto in B Minor, Op. 104, B. 191: III. Finale (Allegro moderato)	Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra	B Minor	2	10A	97 BPM
Bagatelles et impromptus, JB 1:19: VII. Love	Bedřich Smetana, William Howard	A Major	0	11B	76 BPM
Piano Quintet in F-Sharp Minor, Op. 67: II. Adagio espressivo	Amy Beach, Ambache	D♭ Major	0	3B	60 BPM
Daphnis et Chloé, M. 57 / Troisième partie: Lever du jour	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin	E Minor	0	9A	79 BPM
Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto	Sergei Rachmaninoff, Van Cliburn, Fritz Reiner, Chicago Symphony Orchestra	E Major	1	12B	92 BPM
Symphony No. 3 In C Minor, Op. 78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	F Minor	2	4A	117 BPM
Trois Romances sans paroles, Op.17: 1. Andante, quasi allegretto	Gabriel Fauré, Kun-Woo Paik	B♭ Minor	0	3A	70 BPM
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 2. Larghetto	Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit	G Minor	1	6A	101 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM