O'Shea's ' "Every Day Is A Good Day" was released on its scheduled release date, September 30, 2011. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in O'Shea's "Mr. And Mrs." album is number 10 out of 11. On top of that, Australia appears to be the country where this track was created. In terms of popularity, Every Day Is A Good Day is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Every Day Is A Good Day by O'Shea to be Moderato (at a moderate speed) because the track has a tempo of 115 BPM, a half-time of 58BPM, and a double-time of 230 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| What If I Was Willing | Deep Creek Road | E Major | 7 | 12B | 117 BPM | ||
| Glad It's Not Me | Sabrina Durante | D Major | 8 | 10B | 160 BPM | ||
| Black Coffee And White Lines | Jayne Denham | D Major | 8 | 10B | 88 BPM | ||
| Shout The Land A Drink | Matt Scullion, James Blundell, TANIA KERNAGHAN, Drew McAlister, Simply Bushed | B♭ Major | 7 | 6B | 145 BPM | ||
| Must've Been a Hell of a Party | Sara Storer, Paul Kelly | B Major | 6 | 1B | 178 BPM | ||
| Angel | Sara Storer | E Major | 3 | 12B | 77 BPM | ||
| The Old Hr | The Bobkatz | D Major | 7 | 10B | 170 BPM | ||
| I Get Through | O'Shea | D♭ Major | 7 | 3B | 154 BPM | ||
| Why'd You Tie the Knot | Jasmine Rae | G Major | 8 | 9B | 116 BPM | ||
| Venting | Waddie Guapo, O'Shea | F♯ Minor | 7 | 11A | 76 BPM | ||
| Neon Soul | O'Shea | A♭ Major | 9 | 4B | 174 BPM | ||
| Thoughts and Prayers | O'Shea | A♭ Major | 9 | 4B | 174 BPM | ||
| A Few More Dirt Roads | Liam Brew | B Major | 9 | 1B | 144 BPM | ||
| Tractors & Bikes | Paul Costa | A Major | 7 | 11B | 107 BPM | ||
| Boneshaker | Catherine Britt | B Minor | 9 | 10A | 115 BPM | ||
| Beach Mode | Troy Kemp | A Major | 7 | 11B | 80 BPM | ||
| Happy Australia Day | Luke O'Shea, Kevin Bennett | D♭ Major | 7 | 3B | 185 BPM | ||
| Another One More Time | Hurricane Fall | C Major | 9 | 8B | 158 BPM | ||
| After Midnight (featuring Doc Walker) | McAlister Kemp, Doc Walker | C Major | 9 | 8B | 113 BPM | ||
| Kimberley Frontier | Graeme Connors | G Major | 7 | 9B | 97 BPM | ||
| I'll Try Anything (feat. Joe Nichols) | Jasmine Rae, Joe Nichols | G Major | 5 | 9B | 140 BPM | ||
| Angel | Gina Jeffreys | C Major | 7 | 8B | 92 BPM | ||
| We're Still Here | Tom Curtain | C Major | 6 | 8B | 138 BPM | ||
| Somebody's Daughter | Gina Jeffreys | E Major | 8 | 12B | 189 BPM | ||
| Fire & Ice | Andrew Swift, Catherine Britt | F♯ Minor | 7 | 11A | 141 BPM |