On December 4, 2024, the song "Kindang Oiya" was released by Raj Chungkrang, Richma Panging. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Because this song is the only song in Kindang Oiya and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. Based on our statistics, Kindang Oiya's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Kindang Oiya by Raj Chungkrang, Richma Panging to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bersa Bersala | Bio Pegu | A♭ Major | 5 | 4B | 80 BPM | ||
| Oiseng Oi | Chandra Kr. Patgiri | E♭ Minor | 5 | 2A | 170 BPM | ||
| Lubisulang Kalimanggom | Dev Taid, Rupa Mili, Avinav Hazarika | D♭ Major | 9 | 3B | 140 BPM | ||
| Bastarhin Bala | Hiresh Sinha, Indrani Verma | A♭ Major | 9 | 4B | 126 BPM | ||
| Assem Lemanna | Chandra Kr. Patgiri, Dalimi Kuli | A♭ Major | 6 | 4B | 76 BPM | ||
| Ghuroniya Table | Achurjya Barpatra, Nilakshi Neog | B♭ Major | 8 | 6B | 125 BPM | ||
| Gauri Mukhdi Mayajaal | Fauji Lalit Mohan Joshi | E Major | 10 | 12B | 144 BPM | ||
| Sélíngém Sémoyé | Rajib Narah | A♭ Major | 7 | 4B | 137 BPM | ||
| Aaijjoi Morilu | Krishnamoni Chutia | C Minor | 9 | 5A | 110 BPM | ||
| Maya Hoge Maya | Acharya Sahu, Anita Mandal | F Major | 6 | 7B | 115 BPM | ||
| Simadla Dung - Vol 2 | Rajib Narah | F♯ Minor | 8 | 11A | 154 BPM | ||
| Xapunot Dekhi | Ananya Goswami | C Major | 9 | 8B | 50 BPM | ||
| Chhunur Chhunur Pairi Baje | Dilip Shadangi, Champa Nishad | D♭ Major | 8 | 3B | 134 BPM | ||
| Kalivaakku | Saleem Kodathoor | F Minor | 9 | 4A | 80 BPM | ||
| Premote Porilu | Nilav Nita | B Major | 10 | 1B | 143 BPM | ||
| Se Amikso | Dev Taid, Richma Panging | D♭ Major | 7 | 3B | 90 BPM | ||
| Ayang Aming (Asin Yabgo 2) | Hemanta Doley, Richma Panging | F♯ Major | 6 | 2B | 140 BPM | ||
| Kangkanoi Nokke Amin Okkone | MRINAL DOLEY | A♭ Major | 8 | 4B | 110 BPM | ||
| Tini Chariali | Jongki Gupit, Dalimi Kuli | G Major | 7 | 9B | 120 BPM | ||
| Yumdeng Ayir | John Pegu, Nisha Ome | E Major | 4 | 12B | 172 BPM | ||
| Modi Moko Loke | Riyan Raj, Gojar Kato Bagra, Nilutpal Xobdo | G Major | 6 | 9B | 180 BPM | ||
| Dil Mor Deewana | Zubeen Garg | D Minor | 7 | 7A | 165 BPM | ||
| Hanthe Sankha Churi | Manoj Sahri, Monika Mundu | C Major | 9 | 8B | 190 BPM | ||
| Menam - Tora Vol 6 | Neel Bishal, Nisha Ome | F Minor | 6 | 4A | 80 BPM | ||
| Gomug Episode 7 | Bio Pegu, Chandra Kr. Patgiri, Rupali Payeng, Richma Panging | F♯ Major | 6 | 2B | 156 BPM |