"String Quartet, Op. 28: 1. Mässig" by Anton Webern, Emerson String Quartet had its release date on January 1, 1995. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Webern: Works for String Quartet; String Trio Op.20 by Anton Webern, Emerson String Quartet, MaryAnn McCormick. The song's track number on the album is #21 out of 23 tracks. Based on our data, Germany was the country where this track was produced or recorded. String Quartet, Op. 28: 1. Mässig is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since String Quartet, Op. 28: 1. Mässig by Anton Webern, Emerson String Quartet has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With String Quartet, Op. 28: 1. Mässig being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nocturne No. 13 in B Minor, Op. 119 | Gabriel Fauré, Kun-Woo Paik | E Minor | 1 | 9A | 68 BPM | ||
| Britten: Quartettino: II. Poco adagio ma con moto | Benjamin Britten, Endellion String Quartet | F Major | 0 | 7B | 82 BPM | ||
| Kantate No. 2, Op. 31: V. Freundselig ist das Wort | Anton Webern, Pierre Boulez, London Symphony Orchestra | A♭ Major | 0 | 4B | 104 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (1) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | E♭ Major | 1 | 5B | 78 BPM | ||
| Adagio (Elegy) For String Quartet - Live | Dmitri Shostakovich, Emerson String Quartet | F♯ Minor | 0 | 11A | 90 BPM | ||
| II. Kantate Op. 31 For Soprano Solo, Bass Solo, Mixed Chorus And Orchestra: III. Sehr bewegt "Schöpfen aus Brunnen des Himmels" | Anton Webern, Christiane Oelze, Berliner Philharmoniker, Pierre Boulez, BBC Singers | F♯ Minor | 0 | 11A | 74 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | ||
| Prelude and Fugue: I. Prelude | Alfred Schnittke, Nicolas Stavy | F♯ Minor | 0 | 11A | 117 BPM | ||
| The Miraculous Mandarin, Sz. 73: The Body of the Mandarin Begins to Glow with a Greenish Blue Light. Molto moderato | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe | D Minor | 1 | 7A | 81 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | F Major | 0 | 7B | 82 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Recalling Chimes | Vanessa Lann, Ivo Janssen | F♯ Minor | 5 | 11A | 97 BPM | ||
| Piano Trio, M. 67: II. Pantoum. Assez vif | Maurice Ravel, Beaux Arts Trio | F Major | 0 | 7B | 82 BPM | ||
| Leaps of Faith | Vanessa Lann, Marcel Worms | C Major | 2 | 8B | 109 BPM | ||
| Sinfonietta, JW VI/18: II. The Castle, Brno. Andante – Allegretto | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelík | A♭ Minor | 2 | 1A | 144 BPM | ||
| Stravinsky: 3 Pieces for String Quartet: No. 1 | Alban Berg Quartett | F Major | 0 | 7B | 82 BPM | ||
| 4 Ragtime Dances: No. 1, — | Charles Ives, Orchestra New England, James Sinclair | G Major | 0 | 9B | 173 BPM | ||
| Five Pieces for String Quartet, WV 68: No. 5, Alla Tarantella | Erwin Schulhoff, Leonkoro Quartet | F Major | 0 | 7B | 82 BPM | ||
| Sonatas and Interludes for Prepared Piano: Sonata No. 2 | John Cage, Boris Berman | D♭ Major | 2 | 3B | 123 BPM | ||
| Summer Music, Op. 31: III. Faster | Samuel Barber, Ensemble Ouranos | F Major | 0 | 7B | 82 BPM | ||
| Bene Feast | Estoria | F Major | 0 | 7B | 82 BPM | ||
| Webern - Langsamer Satz, M.78 | Anton Webern, Borodin Quartet | E♭ Major | 2 | 5B | 92 BPM | ||
| Presto en si bémol majeur | Francis Poulenc, Alexandre Tharaud | F Major | 1 | 7B | 89 BPM | ||
| Meine Seele erhebt den Herren, BWV 648 (Arr. Thomas for Piano Trio) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | C Major | 0 | 8B | 72 BPM | ||
| Lyric Suite: VI. Largo desolato | Alban Berg, Leonkoro Quartet | F Major | 0 | 7B | 82 BPM |