"The Low Road" by Martin Tillmann, Tom Vedvik had its release date on August 23, 2016. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Low Road's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Backdrops 2 by Martin Tillmann, Tom Vedvik. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of The Low Road is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Low Road by Martin Tillmann, Tom Vedvik is Vivace (lively and fast), since this song has a tempo of 172 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Have Been Here Before | Alex Heffes | A Minor | 2 | 8A | 79 BPM | ||
| After my Sister | Federico Jusid | G Major | 0 | 9B | 166 BPM | ||
| Invisible Inc. | Tom Vedvik, Martin Tillmann | F Minor | 3 | 4A | 168 BPM | ||
| Riddles (for Hilaire Belloc) | Michael Hoppé, Martin Tillmann | D Major | 2 | 10B | 86 BPM | ||
| No Remorse | Jeff Beal | B♭ Major | 3 | 6B | 100 BPM | ||
| Mare Tranquillitatis | David Arkenstone | F♯ Minor | 1 | 11A | 74 BPM | ||
| We Meet Again | 2002 | D Minor | 2 | 7A | 78 BPM | ||
| Seven Tears | Mars Lasar | D Major | 0 | 10B | 66 BPM | ||
| Let It Begin | Prayer Pray | B♭ Major | 0 | 6B | 79 BPM | ||
| Mysterious Grounds | StellarAnomaly | G Major | 0 | 9B | 166 BPM | ||
| There She Is | Kevin Smuts | G Major | 0 | 9B | 107 BPM | ||
| Dias Mas Tarde | Las Eternas | B♭ Minor | 2 | 3A | 88 BPM | ||
| Distant Call | Michael Hoppé, Martin Tillman, Tim Wheater | G Major | 0 | 9B | 166 BPM | ||
| Flow of Miracles | SleepMusic | E♭ Minor | 0 | 2A | 120 BPM | ||
| Disclosure | Tom Vedvik, Martin Tillmann | A Major | 3 | 11B | 180 BPM | ||
| One Path | Paul Baraka | G Major | 0 | 9B | 166 BPM | ||
| Paradise (Jesse's Theme) | Jeff Beal | G Major | 3 | 9B | 199 BPM | ||
| Her Gentle Spirit [The Merchant of Venice] | David Juritz | F Minor | 1 | 4A | 138 BPM | ||
| Watching | Martin Phipps | F♯ Major | 1 | 2B | 70 BPM | ||
| Peace in the Chaos - Aren't we all the same | Pekka Westerholm | F Major | 1 | 7B | 78 BPM | ||
| On the Low Down | Tom Vedvik, Martin Tillmann | A Minor | 3 | 8A | 138 BPM | ||
| Epilogue | Dario Marianelli | E Minor | 1 | 9A | 100 BPM | ||
| It All Looks Different To Me | Mychael Danna | C Major | 2 | 8B | 154 BPM | ||
| Look to the Firmament - Blick zum Firmament | Santec Music Orchestra | F♯ Minor | 1 | 11A | 141 BPM | ||
| Travelling Meditation | Riverest, Fiona Joy Hawkins | E Minor | 1 | 9A | 80 BPM |