"まったりとした日常" by Yuki Hayashi had its release date on December 6, 2017. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. まったりとした日常's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "TVアニメ『ボールルームへようこそ』オリジナルサウンドトラック". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Japan. Based on our statistics, まったりとした日常's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With まったりとした日常 by Yuki Hayashi having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| WE ARE HERE! | Yuki Hayashi | F Major | 5 | 7B | 179 BPM | ||
| The Streets of Belgrade | Infinity Ripple | E Minor | 1 | 9A | 70 BPM | ||
| ウソとホント | Masaru Yokoyama | F♯ Major | 2 | 2B | 150 BPM | ||
| We Still Share the Same Sky | Koshun Nakao | C Major | 1 | 8B | 132 BPM | ||
| ネヴィンの肖像 | Junichi Matsumoto | E Major | 3 | 12B | 62 BPM | ||
| Dearly Beloved - KINGDOM HEARTS II Version- | Yoko Shimomura | D♭ Minor | 2 | 12A | 120 BPM | ||
| 私達はそうやって生きていく人種なの | Masaru Yokoyama | E Minor | 0 | 9A | 50 BPM | ||
| Yakusoku no ame | Ryo Yoshimata | D Minor | 0 | 7A | 173 BPM | ||
| Why Don't You Get It? | Mina Kubota | E Minor | 2 | 9A | 90 BPM | ||
| Paper Lanterns | Disasterpeace | F♯ Major | 8 | 2B | 138 BPM | ||
| ケモノとヒト | 森 悠也 | C Major | 2 | 8B | 118 BPM | ||
| From You, 2,000 Years Ago | KOHTA YAMAMOTO | C Minor | 3 | 5A | 128 BPM | ||
| Sandalwood II | Jonny Greenwood | C Major | 1 | 8B | 82 BPM | ||
| Violoncello's Lament | Akira Senju | C Major | 0 | 8B | 76 BPM | ||
| Eden (LES) | Nicholas Britell | B♭ Major | 1 | 6B | 86 BPM | ||
| 錆びた剣 | Yutaka Yamada | D♭ Minor | 0 | 12A | 70 BPM | ||
| Hazy Light | Yu-Peng Chen, HOYO-MiX | D Major | 1 | 10B | 90 BPM | ||
| Shelter | silent collision | C Major | 1 | 8B | 95 BPM | ||
| Where the Mountain Meets the Ocean | Brad Oberhofer, Oberhofer | D Major | 0 | 10B | 79 BPM | ||
| I'm Sorry, Kotaro | Yuki Hayashi | C Minor | 1 | 5A | 90 BPM | ||
| 動き出す日常 | Yuki Hayashi | C Major | 7 | 8B | 106 BPM | ||
| 老兵の願い | Kohei Tanaka | C Minor | 3 | 5A | 99 BPM | ||
| At Ease Near Night's End | HOYO-MiX | B Minor | 0 | 10A | 70 BPM | ||
| Perspective | Takumi Kaneko | B♭ Minor | 0 | 3A | 150 BPM | ||
| Furuishiori ~okure tsubame no tobusora~ | Ryo Yoshimata | D Minor | 2 | 7A | 108 BPM |