Elliott Smith's 'Between the Bars' had a release date set for March 10, 2017. The duration of This song is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Between the Bars's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Either/Or: Expanded Edition by Elliott Smith. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Between the Bars's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Between the Bars by Elliott Smith is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| How to Rent a Room | Silver Jews | C Major | 5 | 8B | 115 BPM | ||
| Chelsea Hotel #2 | Leonard Cohen | F Major | 1 | 7B | 132 BPM | ||
| Come Back From San Francisco | The Magnetic Fields | D Major | 2 | 10B | 117 BPM | ||
| The Fox in the Snow | Belle and Sebastian | D♭ Major | 3 | 3B | 129 BPM | ||
| Twin Falls | Built To Spill | A Major | 3 | 11B | 115 BPM | ||
| A Baby for Pree | Neutral Milk Hotel | B♭ Minor | 3 | 3A | 157 BPM | ||
| Two-Headed Boy Pt. 2 | Neutral Milk Hotel | G Major | 3 | 9B | 144 BPM | ||
| Betty | Birddog | D Major | 4 | 10B | 99 BPM | ||
| We Are Nowhere and It's Now | Bright Eyes | A Major | 6 | 11B | 145 BPM | ||
| Punchdrunk Lovesick Singalong | Radiohead | C Major | 4 | 8B | 88 BPM | ||
| Reasons | Built To Spill | A Major | 7 | 11B | 140 BPM | ||
| I Didn't Understand | Elliott Smith | D Minor | 2 | 7A | 79 BPM | ||
| Satellite | Elliott Smith | G Major | 2 | 9B | 136 BPM | ||
| Spit on a Stranger | Pavement | D Major | 5 | 10B | 165 BPM | ||
| Oh Comely | Neutral Milk Hotel | B Minor | 5 | 10A | 140 BPM | ||
| Machine Gun | Slowdive | F♯ Minor | 5 | 11A | 155 BPM | ||
| Wolf in the Breast | Cocteau Twins | B♭ Major | 6 | 6B | 160 BPM | ||
| Good Morning, Captain | Slint | G Major | 5 | 9B | 188 BPM | ||
| (Nice Dream) | Radiohead | A Major | 6 | 11B | 173 BPM | ||
| Take Your Time | Tacoma Radar | G Major | 2 | 9B | 77 BPM | ||
| Saturday | Sparklehorse | B♭ Major | 4 | 6B | 125 BPM | ||
| All My Little Words | The Magnetic Fields | A♭ Major | 5 | 4B | 105 BPM | ||
| Grounded | Pavement | A Major | 6 | 11B | 152 BPM | ||
| Blue Chicago Moon | Songs: Ohia, Jason Molina | A Minor | 3 | 8A | 107 BPM | ||
| Fog | Radiohead | A Major | 6 | 11B | 140 BPM |