"シクラメンのかほり" by 蒲原史子 had its release date on May 20, 2000. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 花・ジャパネスク, so we believe that "シクラメンのかほり" is a single. シクラメンのかほり is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of シクラメンのかほり by 蒲原史子 is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pur dicesti, o bocca bella | Antonio Lotti, Holly Bewlay, Sarah Rhee | E Major | 1 | 12B | 81 BPM | ||
| Seydelmann: Il Turco in Italia, Act 1: "Girate quel guardo" (Selim) | Franz Seydelmann, Bruno de Sá, Jarosław Thiel, Wrocław Baroque Orchestra | B♭ Major | 1 | 6B | 120 BPM | ||
| Manon Lescaut: Act II: In quelle trine morbide | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM | ||
| 7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
| Si mes vers avaient des ailes | Reynaldo Hahn, Susan Graham | E Major | 0 | 12B | 92 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| Eugene Onegin, Op. 24, TH.5 / Act 1: "Slikhali l vi za roschei glas nochnoi" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Sarah Walker, Olga Borodina, Irina Arkhipova, Orchestre de Paris, Semyon Bychkov | A Major | 1 | 11B | 133 BPM | ||
| Delibes: Duo des fleurs (de "Lakmé") | Léo Delibes, Monroe | D Major | 4 | 10B | 149 BPM | ||
| ヴォカリーズ 作品34の14 | 蒲原史子 | D♭ Minor | 2 | 12A | 82 BPM | ||
| Shest' romansov (Six Romances), Op.63 - Arr. Hazell: Serenada | Pyotr Ilyich Tchaikovsky, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | G Major | 2 | 9B | 65 BPM | ||
| Les nuits d'été, H. 81b: Le spectre de la rose, H. 83b | Hector Berlioz, Anne Sofie von Otter, Berliner Philharmoniker, James Levine | B Major | 1 | 1B | 73 BPM | ||
| スマイル - ライヴ | チャールズ・チャップリン, ジェフリー・パーソンズ, ジェイムス・ジョン・ターナー・フィリップス, 石田組 | D Major | 1 | 10B | 103 BPM | ||
| Offenbach: Robinson Crusoë, Act 2: Valse. "Conduisez-moi vers celui que j'adore" (Chœur, Edwige) | Jacques Offenbach, Natalie Dessay, Les Éléments, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Scène 1. "Le vieil hiver a fait place au printemps" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 1 | 9B | 75 BPM | ||
| Che fiero costume | Giovanni Legrenzi, Holly Bewlay, Sarah Rhee | G Minor | 1 | 6A | 107 BPM | ||
| Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | D♭ Major | 1 | 3B | 85 BPM | ||
| Simon Boccanegra: Act I: Come in quest'ora bruna (Amelia) | Giuseppe Verdi, Marina Rebeka, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | A Minor | 1 | 8A | 82 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Pagliacci, Act I: Prologue: Si puo? Si puo? | Ruggero Leoncavallo, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Minor | 1 | 6A | 93 BPM | ||
| Villa-Lobos: Melodia sentimental | Heitor Villa-Lobos, Monroe | D Major | 4 | 10B | 149 BPM | ||
| Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
| Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
| Puccini: La bohème, Act 4: "O Mimì, tu più non torni" (Rodolfo/Marcello) | Giacomo Puccini, Giuseppe Di Stefano, Rolando Panerai, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | C Major | 1 | 8B | 137 BPM | ||
| はすの花 | 蒲原史子 | D Major | 0 | 10B | 96 BPM | ||
| For You I Sing (Live) | Junyi Tan, Shen Yun Symphony Orchestra, D.F., Min Jiang, William Kuo | E♭ Major | 3 | 5B | 146 BPM |