On February 1, 2007, the song "Time to Leave" was released by The JB Conspiracy. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "This Machine". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Time to Leave is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Time to Leave by The JB Conspiracy having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kicking Pigeons | [spunge] | A Major | 9 | 11B | 145 BPM | ||
| All That's Left Behind | Mustard Plug | G Major | 9 | 9B | 165 BPM | ||
| Status | Rx Bandits | F♯ Minor | 8 | 11A | 96 BPM | ||
| Arcade Girl | Backyard Superheroes | G Major | 10 | 9B | 195 BPM | ||
| Somewhere in the Between | Dan P. | C Major | 8 | 8B | 139 BPM | ||
| Action | The Johnstones | A Major | 8 | 11B | 100 BPM | ||
| Bitchin' In Stereo | Devon Kay & The Solutions | D Major | 9 | 10B | 94 BPM | ||
| Back to the Future | The JB Conspiracy | D♭ Minor | 10 | 12A | 101 BPM | ||
| Too Much | Popes Of Chillitown | F♯ Major | 7 | 2B | 135 BPM | ||
| Can I Get Off? | Millie Manders and the Shutup | D♭ Major | 8 | 3B | 137 BPM | ||
| Here We Come | Killing Your Highness | F♯ Minor | 7 | 11A | 192 BPM | ||
| Take A Picture | Popes Of Chillitown | F♯ Minor | 3 | 11A | 109 BPM | ||
| Suck It Up | Victory Point | C Major | 9 | 8B | 170 BPM | ||
| 2 Dad 2 Worse | The Boy Detective | A♭ Major | 10 | 4B | 179 BPM | ||
| Restore Factory Settings | Call Me Malcolm | D Major | 7 | 10B | 97 BPM | ||
| Hold On | Mad Apple Circus | A Major | 8 | 11B | 160 BPM | ||
| Time Flies When You're Having Work | Be Like Max | B Major | 10 | 1B | 104 BPM | ||
| Forget the Day | Mad Apple Circus | D Major | 10 | 10B | 105 BPM | ||
| Kill Em Dead | Faintest Idea | E Minor | 8 | 9A | 160 BPM | ||
| The Dream | The Kittyhawks | D Major | 9 | 10B | 165 BPM | ||
| Jazzland Bandits (Welcome to Your New Life) | Joystick! | G Major | 9 | 9B | 99 BPM | ||
| Year of Disaster | Rude Tins | G Major | 9 | 9B | 93 BPM | ||
| Dominoes | Half Past Two | B Major | 8 | 1B | 92 BPM | ||
| Mavil | Las Manchas | A♭ Major | 7 | 4B | 102 BPM | ||
| This Means War | Los Furios | B Major | 10 | 1B | 188 BPM |