- BPM
- 87
- Key
- G Major
- Camelot
- 9B
Mondnacht, WoO 21 by Johannes Brahms, Renée Fleming, Hartmut Höll Song Details
"Mondnacht, WoO 21" by Johannes Brahms, Renée Fleming, Hartmut Höll had its release date on June 14, 2019. The duration of This song is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Mondnacht, WoO 21's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 21 in Brahms, Schumann & Mahler: Lieder by Renée Fleming. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Mondnacht, WoO 21 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
The tempo marking of Mondnacht, WoO 21 by Johannes Brahms, Renée Fleming, Hartmut Höll is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
Music Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 10%
- Loudness
- -20.55 dB
- Acousticness
- 100%
- Danceability
- 29%
- Energy
- 10%
- Instrumentalness
- 82%
- Liveness
- 7%
- Loudness
- 66%
- Speechiness
- 6%
- Valence
- 6%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Brahms: 6 Piano Pieces, Op. 118: No. 2, Intermezzo in A Major | Johannes Brahms, Martin James Bartlett | B♭ Major | 1 | 6B | 129 BPM | |
 | 21 Hungarian Dances, WoO 1 (arr. J. Joachim for violin and piano): No. 6 in D Major (original in D-Flat Major) | Joseph Joachim, Johannes Brahms, Marat Bisengaliev, John Lenehan | B♭ Major | 1 | 6B | 72 BPM | |
 | Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | |
 | 16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | |
 | Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | |
 | Mozart: Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Sabine Meyer, Berliner Philharmoniker, Claudio Abbado | D Major | 0 | 10B | 95 BPM | |
 | The Tales of Hoffmann: Barcarolle (Arr. for Piano) | Jacques Offenbach, Péter Nagy | D Major | 0 | 10B | 70 BPM | |
 | Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | |
 | 12 Études, Op. 10: No. 3 in E Major | Frédéric Chopin, Jan Lisiecki | E Major | 1 | 12B | 71 BPM | |
 | 2 Pieces for the Left Hand, Op. 9: No. 2, Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | A♭ Major | 0 | 4B | 74 BPM | |
 | Rhapsody in G Minor, Op. 79 No. 2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | |
 | Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Chamber Orchestra of Europe, Sir Roger Norrington | C Major | 1 | 8B | 147 BPM | |
 | Boccherini: Cello Concerto No. 9 in B-Flat Major, G. 482: III. Rondo. Allegro (Cadenza by Grützmacher) | Luigi Boccherini, Frédéric Lodéon, Theodor Guschlbauer, Bournemouth Sinfonietta | B♭ Major | 2 | 6B | 141 BPM | |
 | Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | |
 | Allegro molto agitato in D Minor | Fanny Mendelssohn, Heather Schmidt | D Major | 1 | 10B | 111 BPM | |
 | Halvorsen: Passacaglia (After Handel's Keyboard Suite, HWV 432) | Johan Halvorsen, Itzhak Perlman, Pinchas Zukerman | G Minor | 2 | 6A | 109 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | |
 | Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | |
 | 21 Hungarian Dances, WoO 1: No. 1 in G Minor. Allegro molto (Version for Orchestra) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | |
 | Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | |
 | Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | |
 | Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | |
 | Symphony No. 9 in E Minor, Op. 95 "From the New World": II. Largo | Antonín Dvořák, New York Philharmonic, Alan Gilbert | D♭ Major | 0 | 3B | 87 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: II. Åse's Death | Edvard Grieg, Wiener Philharmoniker, Zubin Mehta | G Major | 0 | 9B | 99 BPM | |
 | Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM |
- ISRC
- GBBBA1800620
- Label
- L-M Records/RCA Records