"He Touched Me" by Barbra Streisand had its release date on 1965. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Barbra Streisand's "My Name Is Barbra, Two..." album is number 1 out of 11. On top of that, United States appears to be the country where this track was created. In terms of popularity, He Touched Me is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of He Touched Me by Barbra Streisand to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Young and Healthy | Lee Roy Reams, Wanda Richert | C Major | 1 | 8B | 91 BPM | ||
| From Russia with Love - Single Version | Matt Monro | D Minor | 3 | 7A | 88 BPM | ||
| Will You Love Me Tomorrow? | Carole King | C Major | 3 | 8B | 159 BPM | ||
| Whistling Away the Dark | Henry Mancini | C Minor | 2 | 5A | 142 BPM | ||
| And That Reminds Me | Della Reese | D Minor | 2 | 7A | 120 BPM | ||
| I (Who Have Nothing) | Shirley Bassey | A Minor | 1 | 8A | 134 BPM | ||
| We Are What We Are | Kelsey Grammer | D♭ Minor | 3 | 12A | 123 BPM | ||
| The Pajama Game: Hey There | Richard Adler, Jerry Ross, John Raitt, The Original Broadway Cast Of The Pajama Game, Hal Hastings | F♯ Major | 2 | 2B | 85 BPM | ||
| How Can Love Survive? | Mark Hellinger Theatre Orchestra, Frederick Dvonch, Mark Hellinger Theatre Cast Ensemble, Mary Martin, Kurt Kasznar, Marion Marlowe | F Major | 3 | 7B | 122 BPM | ||
| (You Make Me Feel Like) A Natural Woman | Carole King | A Major | 2 | 11B | 85 BPM | ||
| They're Playing Our Song (The Bows) - 1979 Original Broadway Cast | Lucie Arnaz, Robert Klein, Brooks Arthur, Bob Merritt | C Major | 4 | 8B | 134 BPM | ||
| I'm Still Here | Elaine Stritch | G Major | 4 | 9B | 113 BPM | ||
| They Were You | Rita Gardner, Kenneth Nelson | C Major | 1 | 8B | 95 BPM | ||
| Shy | Carol Burnett, Joe Bova | E Minor | 4 | 9A | 136 BPM | ||
| Don't Sleep in the Subway | Petula Clark | B♭ Major | 5 | 6B | 134 BPM | ||
| 1776: Yours, Yours, Yours | Sherman Edwards, Virginia Vestoff, William Daniels, Peter Howard | F♯ Major | 1 | 2B | 88 BPM | ||
| No One Else | Denée Benton | F Major | 3 | 7B | 178 BPM | ||
| Cabaret | Liza Minnelli | E♭ Major | 4 | 5B | 83 BPM | ||
| This Plum Is Too Ripe | Hugh Thomas, Rita Gardner, William Larsen, Kenneth Nelson | F Major | 4 | 7B | 71 BPM | ||
| Back to Before | Marin Mazzie | B Minor | 3 | 10A | 88 BPM | ||
| Will You Still Love Me Tomorrow? | Maureen McGovern | B Major | 1 | 1B | 83 BPM | ||
| Just Too Many People | Melissa Manchester | C Major | 6 | 8B | 124 BPM | ||
| Losing My Mind | Stephen Sondheim, Bernadette Peters | D Major | 2 | 10B | 77 BPM | ||
| I Capricorn - 2000 Remaster | Shirley Bassey | A♭ Minor | 4 | 1A | 176 BPM | ||
| The Joint Is Jumpin' | Nell Carter, André DeShields, Armelia McQueen, Ken Page, Charlaine Woodard | F Minor | 5 | 4A | 121 BPM |