Chinmoy Chatterjee's 'Boli O Amar Golapbala' had a release date set for December 1, 1968. The duration of This song is about 3 minutes long, at 3:09. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Rare Gems Tagore". In this album, this song's track order is #1. Furthermore, we believe that the track originated from India. In terms of popularity, Boli O Amar Golapbala is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Boli O Amar Golapbala by Chinmoy Chatterjee having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Jharapata Go | Chinmoy Chatterjee | D Minor | 3 | 7A | 164 BPM | ||
| Ki Bole Daki Tore Ma | Dhananjay Bhattacharya | F Major | 3 | 7B | 79 BPM | ||
| Aamay Nahe Go Bhalobaso Mor Gaan - With Narration | Firoza Begum, Satinath Mukherjee | B♭ Minor | 6 | 3A | 93 BPM | ||
| Ekhono Sarengita Bajchhe | Haimanti Sukla | D♭ Major | 4 | 3B | 81 BPM | ||
| Rangeela Akashe | Indranil Sen | A♭ Minor | 4 | 1A | 82 BPM | ||
| Tar Haate Chhilo | Chinmoy Chatterjee | B♭ Major | 3 | 6B | 122 BPM | ||
| Uchatano Mon Gharey Roi Na | Mohammed Rafi | D♭ Major | 4 | 3B | 129 BPM | ||
| Mone Mor Megher Shongi | Rezwana Chowdhuri Bonna, Sadi Mohammad | F♯ Major | 5 | 2B | 77 BPM | ||
| Aji Hridoy Amar Jay Bhese | Srikanta Acharya | G Major | 4 | 9B | 125 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Manashi Biday | Bhupen Hazarika | E Major | 3 | 12B | 81 BPM | ||
| Katodine Hobe Se Prem Sanchar | Ramakrishna Math, Swami Sarvagananda | E Minor | 3 | 9A | 116 BPM | ||
| Abar Ami Ashbo | Nirmala Mishra, Kalyan Sen Barat | G Major | 3 | 9B | 149 BPM | ||
| O Bidhi Amay Kalo Korle Jodi | Bhupen Hazarika | E Minor | 3 | 9A | 72 BPM | ||
| Badhu Michey Raag Koro Na | Rezwana Choudhury Bannya | D Major | 3 | 10B | 127 BPM | ||
| Tumi Je Shurer Agun | Rezwana Choudhury Bannya | G Major | 4 | 9B | 125 BPM | ||
| Aaj Mone Hoi Ei Niralay | Satinath Mukherjee | F♯ Major | 3 | 2B | 120 BPM | ||
| Amar Moner Koner | Subhamita | B♭ Major | 4 | 6B | 144 BPM | ||
| Hridayer Byatha Biraher Katha | Bhupen Hazarika | E Major | 4 | 12B | 122 BPM | ||
| Ek Dineroi Jiban Tabu | Amrik Singh Arora | B Minor | 5 | 10A | 134 BPM | ||
| Ekhoni Biday Bolo Na | Mohd. Rafi | F♯ Minor | 5 | 11A | 138 BPM | ||
| Danriye Achho Tumi Amar Gaaner Opare | Chinmoy Chatterjee | F Major | 2 | 7B | 82 BPM | ||
| Ke Baleche Ma Aamar | Parikshit Bala | E♭ Minor | 5 | 2A | 155 BPM | ||
| Jete Jete Ekla Pothe | Srikanta Acharya | A♭ Major | 4 | 4B | 103 BPM | ||
| Soto Naame Koto Jone | Gurujeet Singh | D♭ Major | 8 | 3B | 92 BPM |